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THE TIPPING POINT

Broad, cautionary anti-gun SF (sort of a Fahrenheit .451 Caliber); plays best to the already converted.

In Roberts’ dystopian novel, a diplomat in a North America of the far future explores a pariah continent, where descendants of the defunct U.S. concentrate their stern religious faith around firearms and death. 

Debut author Roberts’ SF volley against America’s obsession with guns and the Second Amendment happens in the 2600s. Ex–North America is a “backwater where no one goes,” little remembered and unmourned. What’s left are scattered communities with electricity, industry, running water, crops, and trade but no national cohesion or ties to the outside world. The rest of the planet has advanced to a cosmopolitan civilization from which diplomat Ishwar Dhoni, punished for a personal indiscretion, is exiled. He is reassigned to an American coastal fortress maintained by “Earth Administration” in a long-standing quarantine. The narrative—split between Ishwar’s debriefings and the rustic inhabitants of a certain Paradise Valley—informs readers that toxic U.S. gun mania ran riot in the 21st century, with weapons lobbyists and ultraconservatives subverting Congress, stifling the media, and arming militias. School shootings became routine, and armed gangs, flaunting their firepower, raided and robbed until even the U.S. government (relocated to Salt Lake City) fell. Once special commandos of the unified Earth extinguished America’s nuclear arsenal in surgical raids, the rest of humanity shunned the continent. Now its villages worship “Nar,” an Aryan-blond messiah said to have brought guns directly from God in heaven, and random schoolchildren are massacred in a “Shady Hook” festival. Ishwar and a history-minded cohort/lover investigate, among other things, a cult’s murky origins in the family of the last U.S. president, who was named...Heston. That’s one of the few outwardly humorous touches in an otherwise sober narrative that treats the outrageous premise in deadpan The Handmaid’s Tale manner (though Roberts is cheeky enough to include himself as one of the few future academics to comment on the gun-pocalypse). Some juicy targets hit: right-wing populist paranoia and manipulation of history for power’s sake. But repeatedly falling back on a simplistic guns-are-bad theme minus deeper insights into American pathologies makes for a light-caliber attack, much as gun fanaticism well deserves a pistol-whipping. 

Broad, cautionary anti-gun SF (sort of a Fahrenheit .451 Caliber); plays best to the already converted.

Pub Date: April 25, 2019

ISBN: 978-1-4809-9025-8

Page Count: 332

Publisher: Dorrance Pub Co

Review Posted Online: Dec. 4, 2019

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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