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THE TIPPING POINT

Broad, cautionary anti-gun SF (sort of a Fahrenheit .451 Caliber); plays best to the already converted.

In Roberts’ dystopian novel, a diplomat in a North America of the far future explores a pariah continent, where descendants of the defunct U.S. concentrate their stern religious faith around firearms and death. 

Debut author Roberts’ SF volley against America’s obsession with guns and the Second Amendment happens in the 2600s. Ex–North America is a “backwater where no one goes,” little remembered and unmourned. What’s left are scattered communities with electricity, industry, running water, crops, and trade but no national cohesion or ties to the outside world. The rest of the planet has advanced to a cosmopolitan civilization from which diplomat Ishwar Dhoni, punished for a personal indiscretion, is exiled. He is reassigned to an American coastal fortress maintained by “Earth Administration” in a long-standing quarantine. The narrative—split between Ishwar’s debriefings and the rustic inhabitants of a certain Paradise Valley—informs readers that toxic U.S. gun mania ran riot in the 21st century, with weapons lobbyists and ultraconservatives subverting Congress, stifling the media, and arming militias. School shootings became routine, and armed gangs, flaunting their firepower, raided and robbed until even the U.S. government (relocated to Salt Lake City) fell. Once special commandos of the unified Earth extinguished America’s nuclear arsenal in surgical raids, the rest of humanity shunned the continent. Now its villages worship “Nar,” an Aryan-blond messiah said to have brought guns directly from God in heaven, and random schoolchildren are massacred in a “Shady Hook” festival. Ishwar and a history-minded cohort/lover investigate, among other things, a cult’s murky origins in the family of the last U.S. president, who was named...Heston. That’s one of the few outwardly humorous touches in an otherwise sober narrative that treats the outrageous premise in deadpan The Handmaid’s Tale manner (though Roberts is cheeky enough to include himself as one of the few future academics to comment on the gun-pocalypse). Some juicy targets hit: right-wing populist paranoia and manipulation of history for power’s sake. But repeatedly falling back on a simplistic guns-are-bad theme minus deeper insights into American pathologies makes for a light-caliber attack, much as gun fanaticism well deserves a pistol-whipping. 

Broad, cautionary anti-gun SF (sort of a Fahrenheit .451 Caliber); plays best to the already converted.

Pub Date: April 25, 2019

ISBN: 978-1-4809-9025-8

Page Count: 332

Publisher: Dorrance Pub Co

Review Posted Online: Dec. 4, 2019

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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