Broad, cautionary anti-gun SF (sort of a Fahrenheit .451 Caliber); plays best to the already converted.

THE TIPPING POINT

In Roberts’ dystopian novel, a diplomat in a North America of the far future explores a pariah continent, where descendants of the defunct U.S. concentrate their stern religious faith around firearms and death. 

Debut author Roberts’ SF volley against America’s obsession with guns and the Second Amendment happens in the 2600s. Ex–North America is a “backwater where no one goes,” little remembered and unmourned. What’s left are scattered communities with electricity, industry, running water, crops, and trade but no national cohesion or ties to the outside world. The rest of the planet has advanced to a cosmopolitan civilization from which diplomat Ishwar Dhoni, punished for a personal indiscretion, is exiled. He is reassigned to an American coastal fortress maintained by “Earth Administration” in a long-standing quarantine. The narrative—split between Ishwar’s debriefings and the rustic inhabitants of a certain Paradise Valley—informs readers that toxic U.S. gun mania ran riot in the 21st century, with weapons lobbyists and ultraconservatives subverting Congress, stifling the media, and arming militias. School shootings became routine, and armed gangs, flaunting their firepower, raided and robbed until even the U.S. government (relocated to Salt Lake City) fell. Once special commandos of the unified Earth extinguished America’s nuclear arsenal in surgical raids, the rest of humanity shunned the continent. Now its villages worship “Nar,” an Aryan-blond messiah said to have brought guns directly from God in heaven, and random schoolchildren are massacred in a “Shady Hook” festival. Ishwar and a history-minded cohort/lover investigate, among other things, a cult’s murky origins in the family of the last U.S. president, who was named...Heston. That’s one of the few outwardly humorous touches in an otherwise sober narrative that treats the outrageous premise in deadpan The Handmaid’s Tale manner (though Roberts is cheeky enough to include himself as one of the few future academics to comment on the gun-pocalypse). Some juicy targets hit: right-wing populist paranoia and manipulation of history for power’s sake. But repeatedly falling back on a simplistic guns-are-bad theme minus deeper insights into American pathologies makes for a light-caliber attack, much as gun fanaticism well deserves a pistol-whipping. 

Broad, cautionary anti-gun SF (sort of a Fahrenheit .451 Caliber); plays best to the already converted.

Pub Date: April 25, 2019

ISBN: 978-1-4809-9025-8

Page Count: 332

Publisher: Dorrance Pub Co

Review Posted Online: Dec. 4, 2019

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The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

SUMMER ISLAND

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in White society, is shedding her fur coat. Jude, so Black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her White persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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