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THE TIPPING POINT

Broad, cautionary anti-gun SF (sort of a Fahrenheit .451 Caliber); plays best to the already converted.

In Roberts’ dystopian novel, a diplomat in a North America of the far future explores a pariah continent, where descendants of the defunct U.S. concentrate their stern religious faith around firearms and death. 

Debut author Roberts’ SF volley against America’s obsession with guns and the Second Amendment happens in the 2600s. Ex–North America is a “backwater where no one goes,” little remembered and unmourned. What’s left are scattered communities with electricity, industry, running water, crops, and trade but no national cohesion or ties to the outside world. The rest of the planet has advanced to a cosmopolitan civilization from which diplomat Ishwar Dhoni, punished for a personal indiscretion, is exiled. He is reassigned to an American coastal fortress maintained by “Earth Administration” in a long-standing quarantine. The narrative—split between Ishwar’s debriefings and the rustic inhabitants of a certain Paradise Valley—informs readers that toxic U.S. gun mania ran riot in the 21st century, with weapons lobbyists and ultraconservatives subverting Congress, stifling the media, and arming militias. School shootings became routine, and armed gangs, flaunting their firepower, raided and robbed until even the U.S. government (relocated to Salt Lake City) fell. Once special commandos of the unified Earth extinguished America’s nuclear arsenal in surgical raids, the rest of humanity shunned the continent. Now its villages worship “Nar,” an Aryan-blond messiah said to have brought guns directly from God in heaven, and random schoolchildren are massacred in a “Shady Hook” festival. Ishwar and a history-minded cohort/lover investigate, among other things, a cult’s murky origins in the family of the last U.S. president, who was named...Heston. That’s one of the few outwardly humorous touches in an otherwise sober narrative that treats the outrageous premise in deadpan The Handmaid’s Tale manner (though Roberts is cheeky enough to include himself as one of the few future academics to comment on the gun-pocalypse). Some juicy targets hit: right-wing populist paranoia and manipulation of history for power’s sake. But repeatedly falling back on a simplistic guns-are-bad theme minus deeper insights into American pathologies makes for a light-caliber attack, much as gun fanaticism well deserves a pistol-whipping. 

Broad, cautionary anti-gun SF (sort of a Fahrenheit .451 Caliber); plays best to the already converted.

Pub Date: April 25, 2019

ISBN: 978-1-4809-9025-8

Page Count: 332

Publisher: Dorrance Pub Co

Review Posted Online: Dec. 4, 2019

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

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