A grandly emotional piece that celebrates family and the overlap between Eastern and Western values.

AT DAWN THE SIMORGH APPEARS

In this debut novel, gunmen capture an archaeologist and her interpreter during a visit to ruins in Iran.

Anna, a professor from the Pacific Northwest, met Farah in Paris. She hired Farah to interpret Persian for her at ancient Iranian ruins. The excursion takes a dangerous turn when armed men kidnap the women and drive them to a holding cell. Now, Anna and Farah suffer darkness, strange animals sniffing at the door of their stone prison, and the stress of an unknown fate. To maintain their courage, the women exchange memories of childhood. Farah talks of her beloved father and sisters and time spent in a poppy field. Anna remembers a lonely but satisfying life with her grandparents on Bainbridge Island, surrounded by books and horses. Eventually, a young boy named Samir brings the prisoners bread, cheese, and water. Through his visits, they learn of tension among the gunmen. Some follow the commander, Arash, whom Anna finds striking from a distance. Others obey the vicious upstart, Hassan, who was part of a group that killed Samir’s mother and sister. While examining Anna at knife point, Hassan lightly draws the blade across her flesh to threaten her. Even if the women do escape, they may not get far. Lillehei’s novel embodies how Anna feels about the desert, which possesses beauty that she finds to be “subtle and hidden.” Tightly held secrets inform several characters’ arcs, the most shocking being Samir’s. Readers learn about Persian language (“joon” means soul) and myth. The simorgh is the “eternal bird that nests in the Tree of Knowledge, messenger between sky and earth.” How this legend relates to the plot may require patience from audiences who prefer overt spectacle in their epic adventures. The author does crank up the tension incrementally, but the burgeoning friendship between the analytical Anna and the emotional Farah remains the focus. Lovely moments abound, as when “the azure skies” and “the pastel array of colors of the air where it met the white wisps of cloud” summon the women home. A key incident leads one of the protagonists to an intriguing finale.

A grandly emotional piece that celebrates family and the overlap between Eastern and Western values.

Pub Date: Dec. 2, 2020

ISBN: 979-8-57-296169-0

Page Count: 395

Publisher: Self

Review Posted Online: Jan. 16, 2020

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Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

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IT ENDS WITH US

Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 31, 2016

Kirkus Reviews Issue: June 15, 2016

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Finding positivity in negative pregnancy-test results, this depiction of a marriage in crisis is nearly perfect.

ALL YOUR PERFECTS

Named for an imperfectly worded fortune cookie, Hoover's (It Ends with Us, 2016, etc.) latest compares a woman’s relationship with her husband before and after she finds out she’s infertile.

Quinn meets her future husband, Graham, in front of her soon-to-be-ex-fiance’s apartment, where Graham is about to confront him for having an affair with his girlfriend. A few years later, they are happily married but struggling to conceive. The “then and now” format—with alternating chapters moving back and forth in time—allows a hopeful romance to blossom within a dark but relatable dilemma. Back then, Quinn’s bad breakup leads her to the love of her life. In the now, she’s exhausted a laundry list of fertility options, from IVF treatments to adoption, and the silver lining is harder to find. Quinn’s bad relationship with her wealthy mother also prevents her from asking for more money to throw at the problem. But just when Quinn’s narrative starts to sound like she’s writing a long Facebook rant about her struggles, she reveals the larger issue: Ever since she and Graham have been trying to have a baby, intimacy has become a chore, and she doesn’t know how to tell him. Instead, she hopes the contents of a mystery box she’s kept since their wedding day will help her decide their fate. With a few well-timed silences, Hoover turns the fairly common problem of infertility into the more universal problem of poor communication. Graham and Quinn may or may not become parents, but if they don’t talk about their feelings, they won’t remain a couple, either.

Finding positivity in negative pregnancy-test results, this depiction of a marriage in crisis is nearly perfect.

Pub Date: July 17, 2018

ISBN: 978-1-5011-7159-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 1, 2018

Kirkus Reviews Issue: May 15, 2018

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