A well-researched, if occasionally overwritten, tale of the horrors of war.


A debut historical novel of betrayal, reprisal, defeat, and hope in World War II Czechoslovakia.

The story opens with the assassination of Nazi official Reinhard Heydrich on the streets of Prague, then introduces readers to the citizens of Lidice, the town that would soon be destroyed by the Nazis as retribution. The townspeople—including Chessie Sabel and her son, Ondrej; Katrenka Becke, the pregnant widow of a German Czech; bully Ignace Tichy and his younger brother Milan; and self-important Klaudie Cizek—have no idea what the consequences will be when German troops enter the town, but the women and children who survive the initial massacre later find themselves dealing with the horrors of the Ravensbrück concentration camp, the Nazis’ attempts to “Germanize” Czechs who meet certain criteria, and ongoing battles between the Nazis and the Resistance. Those who make it through these trials reunite after the war to see that Germans are held accountable for their crimes and to investigate the fate of Lidice’s children. Although the book’s concluding pages leave open the possibility of a sequel, Sandrick delivers a complete story in which all the characters’ arcs feel satisfying and logical, and in which scenes of violence and cruelty are never overused for shock value. A lengthy list of historical figures at the start of the book and a thorough bibliography at the end make it clear that the novel is based on substantial research. The author’s descriptions feel overwrought at times (“twirling his hand as if flicking a fencing foil”). This is particularly evident when the close-third-person narration relates the melodramatic thoughts of Nazi characters (“Heyrich looked away from the man with contempt. Stupid Czech! This man clearly did not meet RuSHA racial criteria!”) and it sometimes slows the pace of the overall narrative.

A well-researched, if occasionally overwritten, tale of the horrors of war.

Pub Date: Oct. 1, 2017

ISBN: 978-1-947605-01-5

Page Count: 355

Publisher: CreateSpace

Review Posted Online: Oct. 17, 2017

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Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the...


Hannah’s sequel to Firefly Lane (2008) demonstrates that those who ignore family history are often condemned to repeat it.

When we last left Kate and Tully, the best friends portrayed in Firefly Lane, the friendship was on rocky ground. Now Kate has died of cancer, and Tully, whose once-stellar TV talk show career is in free fall, is wracked with guilt over her failure to be there for Kate until her very last days. Kate’s death has cemented the distrust between her husband, Johnny, and daughter Marah, who expresses her grief by cutting herself and dropping out of college to hang out with goth poet Paxton. Told mostly in flashbacks by Tully, Johnny, Marah and Tully’s long-estranged mother, Dorothy, aka Cloud, the story piles up disasters like the derailment of a high-speed train. Increasingly addicted to prescription sedatives and alcohol, Tully crashes her car and now hovers near death, attended by Kate’s spirit, as the other characters gather to see what their shortsightedness has wrought. We learn that Tully had tried to parent Marah after her father no longer could. Her hard-drinking decline was triggered by Johnny’s anger at her for keeping Marah and Paxton’s liaison secret. Johnny realizes that he only exacerbated Marah’s depression by uprooting the family from their Seattle home. Unexpectedly, Cloud, who rebuffed Tully’s every attempt to reconcile, also appears at her daughter’s bedside. Sixty-nine years old and finally sober, Cloud details for the first time the abusive childhood, complete with commitments to mental hospitals and electroshock treatments, that led to her life as a junkie lowlife and punching bag for trailer-trash men. Although powerful, Cloud’s largely peripheral story deflects focus away from the main conflict, as if Hannah was loath to tackle the intractable thicket in which she mired her main characters.

Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the pages turning even as readers begin to resent being drawn into this masochistic morass.

Pub Date: April 23, 2013

ISBN: 978-0-312-57721-6

Page Count: 416

Publisher: St. Martin's

Review Posted Online: Feb. 18, 2013

Kirkus Reviews Issue: March 1, 2013

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Debut novel by hip-hop rap artist Sister Souljah, whose No Disrespect (1994), which mixes sexual history with political diatribe, is popular in schools country-wide. In its way, this is a tour de force of black English and underworld slang, as finely tuned to its heroine’s voice as Alice Walker’s The Color Purple. The subject matter, though, has a certain flashiness, like a black Godfather family saga, and the heroine’s eventual fall develops only glancingly from her character. Born to a 14-year-old mother during one of New York’s worst snowstorms, Winter Santiaga is the teenaged daughter of Ricky Santiaga, Brooklyn’s top drug dealer, who lives like an Arab prince and treats his wife and four daughters like a queen and her princesses. Winter lost her virginity at 12 and now focuses unwaveringly on varieties of adolescent self-indulgence: sex and sugar-daddies, clothes, and getting her own way. She uses school only as a stepping-stone for getting out of the house—after all, nobody’s paying her to go there. But if there’s no money in it, why go? Meanwhile, Daddy decides it’s time to move out of Brooklyn to truly fancy digs on Long Island, though this places him in the discomfiting position of not being absolutely hands-on with his dealers; and sure enough the rise of some young Turks leads to his arrest. Then he does something really stupid: he murders his wife’s two weak brothers in jail with him on Riker’s Island and gets two consecutive life sentences. Winter’s then on her own, especially with Bullet, who may have replaced her dad as top hood, though when she selfishly fails to help her pregnant buddy Simone, there’s worse—much worse—to come. Thinness aside: riveting stuff, with language so frank it curls your hair. (Author tour)

Pub Date: April 1, 1999

ISBN: 0-671-02578-3

Page Count: 320

Publisher: Pocket

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 1, 1999

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