A solid follow-up to the series that answers many questions.
In this second volume of Donoghue’s fantasy series, a scientist and his friends hope to defeat villains in the search for a lost civilization’s mysterious stones.
Shadows of the Stone Benders (2016) introduced Anlon Cully, a biochemist who made a fortune and retired at 42 to enjoy Lake Tahoe and his yacht. But Anlon soon found a new occupation: investigating his archaeologist uncle Devlin Wilson’s suspicious death, connected with a set of stone artifacts with powerful qualities that point to an ancient, highly developed civilization. For example, a Tuliskaera, or Flash Stone, can slice through any object, making it a formidable tool or weapon. Villains want these stones, and Cully barely escaped with his life following a confrontation. Now he’s recuperating at Lake Tahoe with his girlfriend, the pink-haired, tattooed, and pierced Eleanor “Pebbles” McCarver, and their friend Jennifer Stevens, a Massachusetts police detective who helped investigate a case in Book 1. Together, they puzzle over information Devlin left behind and try to learn more about the stones and where more artifacts are located. It’s a race to find the artifacts before other searchers, some of whom will stop at nothing to get their hands on the stones, which, it turns out, have their own back story involving an ancient tragedy, a grieving mother, and a Betrayer. In this follow-up to Book 1, Donoghue similarly provides an Indiana Jones–like mélange of archaeology, treasure, villains, jungles, and ancient science. (Although it’s possible to follow this book as a stand-alone volume, it’ll make more sense read in sequence.) His characters are well-defined, important in a story so driven by the particulars of how an unknown technology works, sections that will be best appreciated by readers with a taste for engineering. Overall, Donoghue is conscientious in his explanations, which do offer verisimilitude but can become a bit dull, especially the careful and lengthy consideration of Wilson’s ambiguous maps. But the series also offers excitement, suspense, and action, together with near-mystical encounters with a long-dead woman of the ancient civilization, helping to balance sometimes-dry science and logistics.
A solid follow-up to the series that answers many questions.Pub Date: May 9, 2017
ISBN: 978-0-9973164-4-5
Page Count: 358
Publisher: Leaping Leopard Enterprises
Review Posted Online: June 13, 2017
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
This is a masterly novel. It will appeal to all lovers of fiction of the first order.
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana.
The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense.
This is a masterly novel. It will appeal to all lovers of fiction of the first order.Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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