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SKYWAVE

From the Rorschach Explorer Missions series , Vol. 1

A promising, if chatty, first installment in a spacefaring adventure.

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A sequence of clicks in otherwise mundane radio signals may indicate the presence of aliens on a Jovian moon in Donoghue’s (UMO, 2018, etc.) sci-fi series entry.

Aerospace engineer Kiera Walsh’s former roommate asks her to meet with a man named Ajay Joshi. He’s an accountant by trade, but he’s also an amateur astronomer who’s made a discovery that Kiera has trouble believing. Specifically, he’s found periodic clicking noises in readily available NASA recordings of Jupiter’s radio waves. Most people claim that these are merely interference, but Ajay surmises that the clicks, which occur in a pattern, are an alien broadcast to Earth from Callisto, one of Jupiter’s moons. When Kiera peruses the recordings, she finds some validity in Ajay’s claims. She and fellow engineer Dante Fulton relay the information to billionaire Augustus Amato, whose company, A3rospace Industries, is focused on deep-space exploration. Amato responds by expediting a mission to Callisto; he suspects that if NASA makes it there first, there will be a coverup. Apparently, NASA has plenty of secrets, including a failed space mission to Callisto 23 years ago and the discovery of alien beings there, known as UMOs (“unidentified magnetic objects”). Soon, the race to Callisto becomes a tense standoff. Donoghue’s multigenre approach to his series opener is a triumph. Although it’s primarily science fiction, the story also boasts thrillerlike suspense (Amato is threatened with imprisonment at one point) and mystery (very little is known about the UMOs, which appear as light). Numerous characters evolve over the course of the story even though it’s only Book 1: Ajay turns out to be more than just an internet conspiracy theorist, and NASA’s chief administrator, Dennis Pritchard, begins as Amato’s ally, but circumstances change their relationship. The narrative is largely driven by dialogue—intelligent, engrossing discussions of such subjects as probe launching and how the UMOs’ behavior is akin to that of Earth’s bees. This approach results in minimal action scenes, but the ending promises further adventures with these well-drawn characters.

A promising, if chatty, first installment in a spacefaring adventure.

Pub Date: Dec. 14, 2018

ISBN: 978-0-9997614-2-7

Page Count: 324

Publisher: Leaping Leopard Enterprises, LLC

Review Posted Online: Feb. 21, 2019

Kirkus Reviews Issue: May 1, 2019

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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