Calls long overdue attention to the Black women veterans of World War II.
As the United States heads into World War II, two Black women in Harlem are dissatisfied with their career prospects.
Although she’s a brilliant pianist, Grace Steele freezes at her Juilliard audition and fears to confess her failure to her mother, who’s already distraught about son Tony’s disappearance in the Philippines. Eliza Jones is warring with her employer and father, the editor and publisher of a prominent Black newspaper, because he’s relegated her to covering the society beat. Grace and Eliza meet as new recruits to the newly formed Women’s Army Auxiliary Corps, where each hopes to alter her destiny. But as they enter training, even as relatively privileged officer candidates, they soon learn that racial and sex discrimination have followed them into the armed forces. Although prominent African Americans like Mary McLeod Bethune urge enlistment in the WACs to advance “the race,” the government reneges on its promise to not segregate the WACs. The main arc of the episodic plot is the conflicted friendship between Grace and Eliza. There is a push-pull between them, instant dislike at first, followed by personality clashes—Eliza thinks Grace is rigid and arrogant, Grace resents Eliza’s spoiled, upper-class attitude. Then both, unthinkingly, inflict grievous harm on the other. Eliza blames Grace for failing to warn her about disembarking, alone, at a deserted Kentucky train station, where she is savagely beaten. Later, Eliza will, unintentionally, put Grace in jeopardy in a manner that is equally mystifying and contrived. The language throughout is overly expository and repetitious. But the author fulfills her stated intent to shed light on “hidden figures,” in this case, the trajectory of the WAC in general and the empowerment, however provisional, with which it “armed” its soldiers, who weren’t allowed to bear actual arms.
Calls long overdue attention to the Black women veterans of World War II.Pub Date: Aug. 3, 2021
ISBN: 978-0-06-296458-8
Page Count: 400
Publisher: Morrow/HarperCollins
Review Posted Online: June 1, 2021
Kirkus Reviews Issue: June 15, 2021
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A sugarcoated take on midcentury suburbia.
A lively and unabashedly sentimental novel examines the impact of feminism on four upper-middle-class white women in a suburb of Washington, D.C., in 1963.
Transplanted Ohioan Margaret Ryan—married to an accountant, raising three young children, and decidedly at loose ends—decides to recruit a few other housewives to form a book club. She’s thinking A Tree Grows in Brooklyn, but a new friend, artistic Charlotte Gustafson, suggests Betty Friedan’s brand-new The Feminine Mystique. They’re joined by young Bitsy Cobb, who aspired to be a veterinarian but married one instead, and Vivian Buschetti, a former Army nurse now pregnant with her seventh child. The Bettys, as they christen themselves, decide to meet monthly to read feminist books, and with their encouragement of each other, their lives begin to change: Margaret starts writing a column for a women’s magazine; Viv goes back to work as a nurse; Charlotte and Bitsy face up to problems with demanding and philandering husbands and find new careers of their own. The story takes in real-life figures like the Washington Post’s Katharine Graham and touches on many of the tumultuous political events of 1963. Bostwick treats her characters with generosity and a heavy dose of wish-fulfillment, taking satisfying revenge on the wicked and solving longstanding problems with a few well-placed words, even showing empathy for the more well-meaning of the husbands. As historical fiction, the novel is hampered by its rosy optimism, but its take on the many micro- and macroaggressions experienced by women of the era is sound and eye-opening. Although Friedan might raise an eyebrow at the use her book’s been put to, readers will cheer for Bostwick’s spunky characters.
A sugarcoated take on midcentury suburbia.Pub Date: April 22, 2025
ISBN: 9781400344741
Page Count: 384
Publisher: Harper Muse
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
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