by Kamala Nair ‧ RELEASE DATE: June 15, 2011
An Indian-American variation on a stock tearjerker plot, saved by the author's eye for detail.
A preteen girl stumbles across a host of dark family secrets on a visit to her parents’ native India.
Nair’s debut novel opens with its 20-something narrator, Rakhee, leaving her fiancé a note saying she must hustle back to India to resolve a family issue. The story that follows explains her rush, flashing back to when she was 10 and describing the emotionally charged summer she spent at her mother’s bustling family homestead. When she first arrived with her mother, the scorching heat was a striking contrast to the chilly winters back home in Minnesota. But while she initially misses her father and the conveniences of American life, she’s soon comforted by the extended family, especially her three female cousins. From there, things quickly grow complicated: Aunts and uncles are squabbling over the rights to manage the homestead and the family-run hospital, while her mother appears to have rekindled her romance with a childhood crush. The starkest evidence that the family is fraying is a discovery Rakhee makes when she ventures past the property: a cottage occupied by Tulasi, a young girl whose facial deformation prompted her parents to care for her but hide her away. Nair gently packs the story with plenty of commentary about Indian domestic life, mythology and, most of all, its sexist culture—throughout the summer, Rakhee learns how restricted women are in marriage, property ownership and, as Tulasi proves, the right to a public existence. Ultimately, that gives the book the shape of a melodrama, which grows overheated in its climactic scenes. But if the final chapters are driven by familiar conflicts, charming individual moments are sprinkled throughout. Scenes in which Rakhee observes her mother’s guilt over betraying her husband reveal the girl’s growing emotional acuity, and Rakhee’s relationship with Tulasi is elegantly turned, conveying a sense of magic that comes with children having a space to share secrets without neglecting the sinister circumstances that locked Tulasi away.
An Indian-American variation on a stock tearjerker plot, saved by the author's eye for detail.Pub Date: June 15, 2011
ISBN: 978-0-446-57268-2
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: April 6, 2011
Kirkus Reviews Issue: Feb. 15, 2011
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by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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