by Karen E. Quinones Miller ‧ RELEASE DATE: Aug. 9, 2004
Third-novelist Miller gets the details down, but the characters remain clichés without inner lives or credibility.
Inner-city chronicler Miller (I’m Telling, 2002, etc.) returns to drug dealers, welfare moms, and violent teenagers.
Three twentysomething, politically correct friends are determined to survive and thrive: Brenda Carver is an African-American single mother of four, on welfare, who wants to be a novelist; Rosa Rivera is a Puerto Rican who dreams of becoming an actress; and Sharif Goldsby is a gay activist who wants to improve people’s lives. All three live in the Ida B. Barrett Wells Tower, a federally subsidized project in Harlem rumored to be scheduled for demolition and replacement by luxury apartments. Miller’s prose is as graphic and gritty as her setting, and the story, though not exactly uplifting, is testimony to hope and perseverance despite a slight presence of the clumsy and formulaic (in the epilogue we learn that the story just told is the first draft of Brenda’s roman à clef novel). The residents of Ida B. routinely defraud the federal government, sell stolen goods, take drugs, and have indiscriminate sexual liaisons. Their response to trouble is often violence, so when foster child Jimmy, who’s been living with Brenda’s mother across the hall, is brutally raped and murdered by Ronald, who lives with his mother in the block, Ronald is then shot in vengeance by another resident, the college-bound Ricky. Immediately, Brenda, whose son found Jimmy’s body stuffed into a clothes dryer; Rosa, who finally has a part in a downtown play; and Sharif, an old protest-pro, decide to get Ricky out of trouble. They organize protests against the police; with the help of Rosa’s well-connected director, they find a lawyer; and an old friend whose mom, the resident fence, lives in the block is willing for reasons of his own to confess to the murder. Ida B. is destined for destruction, but the three friends are not.
Third-novelist Miller gets the details down, but the characters remain clichés without inner lives or credibility.Pub Date: Aug. 9, 2004
ISBN: 0-7432-6001-5
Page Count: 240
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2004
Share your opinion of this book
by Lisa Jewell ‧ RELEASE DATE: April 24, 2018
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
Share your opinion of this book
More by Lisa Jewell
BOOK REVIEW
by Lisa Jewell
BOOK REVIEW
by Lisa Jewell
BOOK REVIEW
by Lisa Jewell
by Kathy Reichs ‧ RELEASE DATE: March 17, 2020
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
Share your opinion of this book
More by Kathy Reichs
BOOK REVIEW
by Kathy Reichs
BOOK REVIEW
by Kathy Reichs
BOOK REVIEW
by Kathy Reichs
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.