A bit of a stretch—could Kleopatra have been this wise and wonderful?—but an agreeably intelligent and lively read...


The Kleopatra loved by Mark Anthony and others is given a stature—and a minor change to her name to underline her Greek lineage—in a richly textured if sometimes strained debut.

A descendant of Ptolemy I, and a member of the same Greek family as Alexander the Great, Kleopatra is not a beauty—refreshingly, Essex emphasizes her learning, knowledge of many languages, and understanding of history and politics rather than her looks. The story opens as three-year old Kleopatra, her father’s joy, watches her mother die. Within days, her half-sister Thea seduces father, King Auletes, marries him, and becomes Queen. Thereafter, as Kleopatra grows into a young woman, she must contend as much with disloyalty inside her family as outside. And the times are turbulent: Rome, under the triumvirate of Julius Caesar, Crassus, and Pompey, is expanding, and threatens Egyptian sovereignty; the native Egyptians are restless, resenting the King’s extravagance and the heavy taxes they must pay him; and abortive uprisings are common. The king, in turn, a weak and self-indulgent man, relies on Roman money to pay his soldiers and keep creditors at bay. Kleopatra fears for her father’s continued rule as her elder sister, Berenike, plots to be queen and go to war with Rome. But the preternaturally perspicacious young Kleopatra, understanding that a relationship with Rome is the family’s only hope, encourages her father to visit that city with her, where she meets and befriends the powerful. She becomes Queen when Auletes dies and, heeding custom, marries younger brother Ptolemy XIII, a weak boy whose advisers want her dead. She flees Egypt, but, with the help of her loyal counselors and her own wits, defeats her enemies. At 21 and back in Alexandria, she is ready to fall in love with Julius Caesar, now in Egypt with his army.

A bit of a stretch—could Kleopatra have been this wise and wonderful?—but an agreeably intelligent and lively read nonetheless.

Pub Date: Aug. 8, 2001

ISBN: 0-446-52740-8

Page Count: 400

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: June 1, 2001

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Miller makes Homer pertinent to women facing 21st-century monsters.

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A retelling of ancient Greek lore gives exhilarating voice to a witch.

“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.

Miller makes Homer pertinent to women facing 21st-century monsters.

Pub Date: April 10, 2018

ISBN: 978-0-316-55634-7

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Jan. 23, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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Still, a respectful and absorbing page-turner.


Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 20, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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