Though Kleopatra sometimes gets lost in all the mayhem and machinations, she is still, with Essex’s provocative take, a...
In a follow-up to Kleopatra (2001), Essex again gives the Egyptian queen a feminist tweak in detailing both her love affairs and her accomplished statecraft.
Though the evidence is thin, Essex is persuasive that Kleopatra was not an evil seductress, but rather an able ruler, good mother, and devoted wife. The story picks up as the young queen, evading her enemies, arrives back in Alexandria, and, rolled up in a carpet, meets Julius Caesar. The two are soon lovers as well as strategists and intellectual soulmates: Caesar admires her mind, and Kleopatra, believing that an alliance with Rome will help Egypt, deliberately becomes pregnant. She bears a son, Caesarion; travels to Rome with Caesar; and is there when he’s assassinated. Escaping the subsequent power struggles, she returns to Egypt and continues her enlightened rule, doing all she can to ensure the survival of Caesarion, now Caesar’s only remaining child. When, in the tenth year of her reign, she decides that Mark Antony could be an important ally for her in securing Egypt’s alliance with Rome, she gains not only a political partner but also the love of her life. Charming and handsome, Antony, who has defeated Caesar’s assassins and now shares the rule of Rome with Octavius and Lepidus, is at the height of his powers. The two marry, she bears him three children, but life for ambitious queens and Roman generals is always perilous. In the 20th year of her rule, they must contend with Octavius, who is ruthlessly eliminating all those opposing his ambition to be emperor. When Antony and Kleopatra’s forces are defeated at Actium, the end is inevitable. Even then, Essex suggests, Kleopatra acts as much out of a desire to protect her children and kingdom as out of grief.
Though Kleopatra sometimes gets lost in all the mayhem and machinations, she is still, with Essex’s provocative take, a woman as remarkable as the great men who loved her.Pub Date: Aug. 7, 2002
ISBN: 0-446-53025-5
Page Count: 400
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2002
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.
Hunter’s debut novel tracks the experiences of her family members during the Holocaust.
Sol and Nechuma Kurc, wealthy, cultured Jews in Radom, Poland, are successful shop owners; they and their grown children live a comfortable lifestyle. But that lifestyle is no protection against the onslaught of the Holocaust, which eventually scatters the members of the Kurc family among several continents. Genek, the oldest son, is exiled with his wife to a Siberian gulag. Halina, youngest of all the children, works to protect her family alongside her resistance-fighter husband. Addy, middle child, a composer and engineer before the war breaks out, leaves Europe on one of the last passenger ships, ending up thousands of miles away. Then, too, there are Mila and Felicia, Jakob and Bella, each with their own share of struggles—pain endured, horrors witnessed. Hunter conducted extensive research after learning that her grandfather (Addy in the book) survived the Holocaust. The research shows: her novel is thorough and precise in its details. It’s less precise in its language, however, which frequently relies on cliché. “You’ll get only one shot at this,” Halina thinks, enacting a plan to save her husband. “Don’t botch it.” Later, Genek, confronting a routine bit of paperwork, must decide whether or not to hide his Jewishness. “That form is a deal breaker,” he tells himself. “It’s life and death.” And: “They are low, it seems, on good fortune. And something tells him they’ll need it.” Worse than these stale phrases, though, are the moments when Hunter’s writing is entirely inadequate for the subject matter at hand. Genek, describing the gulag, calls the nearest town “a total shitscape.” This is a low point for Hunter’s writing; elsewhere in the novel, it’s stronger. Still, the characters remain flat and unknowable, while the novel itself is predictable. At this point, more than half a century’s worth of fiction and film has been inspired by the Holocaust—a weighty and imposing tradition. Hunter, it seems, hasn’t been able to break free from her dependence on it.
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.Pub Date: Feb. 14, 2017
ISBN: 978-0-399-56308-9
Page Count: 416
Publisher: Viking
Review Posted Online: Nov. 21, 2016
Kirkus Reviews Issue: Dec. 1, 2016
BOOK TO SCREEN
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...
An unlikely love story set amid the horrors of a Nazi death camp.
Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.Pub Date: Sept. 4, 2018
ISBN: 978-0-06-279715-5
Page Count: 272
Publisher: Harper/HarperCollins
Review Posted Online: July 16, 2018
Kirkus Reviews Issue: Aug. 1, 2018
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