A sentimental romance with a religious foundation, albeit with no confrontation of difficult metaphysical questions, this is...
Facebook, Twitter and assorted other modern gadgetry provide a central link in Kingsbury’s latest Christian romance, one in which a dash of old-world paternalism sparks the action.
But first there is The Bridge, both place and circumstance. Charlie Barton owns The Bridge, an independent bookstore in Franklin, Tenn. The store and Charlie both work to bridge gaps between people and their dreams. As the story begins, Barton is attempting to cope with damage from the devastating 2010 floods that struck the Nashville area. The Bridge was destroyed. Barton had neither sufficient insurance nor sufficient resources to reopen. The second narrative thread follows the fractured romance between Molly Allen and Ryan Kelly, students of music at Belmont University. Molly was a rich man’s daughter from California, a girl reluctantly set free to test her wings in music, although her controlling father expected her to come home and run the family business and marry the son of a friend. Ryan was a country boy from Mississippi, but one talented enough to work his way eventually onto the country music circuit as a guitarist. Molly’s father learned of the budding romance, lied to Ryan about Molly’s feelings and compelled Ryan to drop out of her life, something Ryan felt obligated to do by personal honor. Now it is seven years down the road, neither Molly nor Ryan have married, and Charlie Barton lies in a coma after an auto accident. The Bridge is scheduled for repossession by the building’s owner. Ryan learns of the tragedy and rushes to help. Molly follows the effort through Twitter and soon feels compelled to fly to Franklin to support Charlie. Ryan and Molly meet again, both feeling jilted by that long-ago rejection. But with the characters addressing God personally, praying much, and receiving the right answers, a happy ending is ordained.
A sentimental romance with a religious foundation, albeit with no confrontation of difficult metaphysical questions, this is sure to bring believers joy.Pub Date: Oct. 23, 2012
ISBN: 978-1-4516-4701-3
Page Count: 256
Publisher: Howard Books/Simon & Schuster
Review Posted Online: April 28, 2012
Kirkus Reviews Issue: Sept. 1, 2012
BOOK REVIEW
BOOK REVIEW
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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