A promising debut penned in vivid, suspenseful prose that gives a new spin to the classic tale of fathers and sons.
Twelve-year-old Max’s father, Rasheed, is determined to give Max everything he longed for throughout his own childhood in Lebanon, but he can't prevent their growing alienation as Max becomes a teenager and seeks out his Lebanese heritage.
Growing up in New Jersey, Max has never heard his father talk about “old Lebanese friends or family or religion or politics.” Rasheed’s friends are Tim, Max’s basketball coach, and their neighbor Mr. Yang, a fellow immigrant. For Rasheed, spending time with Mr. Yang is a respite from his “foreignness in other social environments.” But after Max chokes on a glob of candy at a party and nearly dies—saved only by a deft use of the Heimlich maneuver—the shock finally prompts Rasheed to talk about Max’s mother and their extended family, who were all murdered in Lebanon. What Max needs, Rasheed realizes, is a mother. He immediately finds a 22-year-old co-worker named Kelly to become his girlfriend and moves her into their home. Kelly, however, is more interested in Max than in his father—cuddly and affectionate, she slips into bed with Max at night and shows him how to masturbate. When Kelly runs off with their neighbor Nadine’s boyfriend, Max, now in eighth grade, seeks comfort in Nadine, driving a wedge between himself and his father. This rift is cemented when, in an overused deus ex machina, Max finds out that his mother is still alive and heads to Beirut to find her. Despite the tired plot device, this promising debut offers a finely nuanced look at race, gender, and power in American society. Dimechkie is at his best when allowing his great development of character, rather than forced plot points, to propel the narrative.
A promising debut penned in vivid, suspenseful prose that gives a new spin to the classic tale of fathers and sons.Pub Date: May 19, 2015
ISBN: 978-1-63286-058-3
Page Count: 304
Publisher: Bloomsbury
Review Posted Online: March 3, 2015
Kirkus Reviews Issue: March 15, 2015
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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