More slow-burning than most of Slaughter’s shockers, this one will still rattle you down to your bones.
A Georgia prison inmate’s offer to unmask a phone-smuggling operation in return for reopening his pedophilia conviction leads Slaughter’s regulars into an eight-year-old case that strikes all too close to home.
Daryl Nesbitt insists to Will Trent and Faith Mitchell, of the Georgia Bureau of Investigation, that he was railroaded by Grant County Detective Lena Adams and that the sexual images of children on his computer were fruit of the poisonous tree that should never have been admitted into evidence. He certainly didn’t attack Grant Tech student Rebecca Caterino, brutally assault her, and leave her for dead; the real scandals are that Lena, the ranking detective on the scene, didn’t realize that Beckey was alive till GBI medical examiner Sara Linton realized it half an hour after the police came on the scene and that after Lena sent Leslie Truong, the fellow student who found Beckey’s body, walking back to campus, Leslie was raped and murdered before she arrived. Not only are there horrors aplenty along the trail of what looks like a serial killer who may still be notching two victims a year, but revisiting the earlier crimes gives Slaughter, through a series of extended flashbacks, a chance to relitigate the breakup of Sara’s marriage to late Grant County chief of police Jeffrey Tolliver, who headed the investigation that sent Daryl Nesbitt to jail. Slaughter, renowned for her shocking opening sequences, this time reserves the horrors for her unflinching descriptions of the multiple assaults, some of which result in fates worse than death for the victims, and for Sara’s confrontation with a killer who’s both monstrous and all too human.
More slow-burning than most of Slaughter’s shockers, this one will still rattle you down to your bones.Pub Date: Aug. 4, 2020
ISBN: 978-0-06-285810-8
Page Count: 496
Publisher: Morrow/HarperCollins
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
Small-town claustrophobia and intimacies alike propel this twist-filled psychological thriller.
The loss of her police officer father and the discovery of an abandoned car in a local lake raise chilling questions regarding a young woman’s family history.
When Hazel Sharp returns to her hometown of Mirror Lake, North Carolina, for her father’s memorial, she and the other townspeople are confronted by a challenging double whammy: As they’re grieving the loss of beloved longtime police officer Detective Perry Holt, a disturbing sight appears in the lake, whose waterline is receding because of an ongoing drought—an old, unidentifiable car, which has likely been lurking there for years. Hazel temporarily leaves her Charlotte-based building-renovation business in the capable hands of her partners and reconnects with her brothers, Caden and Gage; her Uncle Roy; her old fling and neighbor, Nico; and her schoolfriend, Jamie, now a mother and married to Caden. Tiny, relentless suspicions rise to the metaphorical surface along with that waterlogged vehicle: There have been a slew of minor break-ins; two people go missing; and then, a second abandoned car is discovered. The novel digs deeper into Hazel’s family history—her father was a widow when he married Hazel’s mother, who later left the family, absconding with money and jewels—and Miranda, a consummate professional when it comes to exposing the small community tensions that naturally arise when people live in close proximity for generations, exposes revelation after twisty revelation: “Everything mattered disproportionately in a small town. Your success, but also your failure. Everyone knows might as well have been our town motto.”
Small-town claustrophobia and intimacies alike propel this twist-filled psychological thriller.Pub Date: April 9, 2024
ISBN: 9781668010440
Page Count: 368
Publisher: Marysue Rucci Books
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
