by Kate Danaher ‧ RELEASE DATE: May 29, 2026
A compulsively readable portrait full of rich characterization and well-observed historical detail.
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Danaher’s historical novel reconstructs the remarkable life of the first female U.S. presidential candidate.
Victoria Claflin’s upbringing is not auspicious. She’s born into utter poverty in 19th-century Homer, Ohio, and the book implies that she and her siblings might have suffered physical abuse from their father. Married off at 15 to a local doctor, Canning Woodhull, who’s much older and prone to drinking, Victoria seeks refuge in books. Largely self-educated, she first learns about conception in a “marriage guide” at a bookshop in Cleveland. She has a son, Byron, who never learns to speak, and a daughter, Zula. And though the marriage ultimately fails, she and Canning remain close. These early experiences instill in her a conviction that she has “a natural right to love whom I may, to love as long or short a period as I can,” and in time she becomes a passionate advocate for what the press misleadingly terms “free love.” Consumed by an Emersonian fervor (as a child, she has a mystical vision of Demosthenes that gives her a sense of extraordinary purpose), Victoria finds it a grave injustice that half the nation is disenfranchised: “I also pay taxes on such pleasures as tea, coffee, and sugar, all to maintain a government in which I have no voice.” So she decides to run for president, in a campaign that earns the support of her second husband, Colonel James Blood, and then-president Ulysses S. Grant, who points toward his own desk and says, “Someday you will occupy that chair.” But after she accuses famed preacher Henry Ward Beecher of adultery, she attracts the scrutiny of powerful foes who seek to put her in jail.
Danaher has written a deftly paced and meticulously researched novel about the life of an unjustly forgotten feminist pioneer, a far-seeing woman with shockingly modern notions of religion, gender politics, and happiness within marriage: “Men suffer nothing for their indiscretions, but women, even on suspicion of them, are crucified,” she notes. But she also challenges the assumption that women who sell sex are wicked while men who buy sex are simply being men. Victoria remains a vibrant presence throughout the book, a woman who scandalizes Wall Street (100 policemen are called out to restore order when she launches the first brokerage for women), claims powers of prophecy and clairvoyance, and earns the enmity of Susan B. Anthony. The irony that Woodhull sought election in an era before women could vote (and thus could not even cast a ballot for herself) is not lost on the author. Victoria’s sister Tennie, an equally exceptional woman who would later marry an English baronet, becomes almost a second protagonist. The world of 19th-century America, a world of house parlors, greased-pig races, steamship guides, lavender sachets, and lavish dinners (“oxtail soup, tenderloin of venison…old English plum pudding”), is rendered with novelistic detail, making the book a genuine pleasure. A number of the greatest men and women of the age have cameos, among them Walt Whitman, Elizabeth Cady Stanton, and Cornelius Vanderbilt, who pursues a brief flirtation with Tennie. An appearance by a world-weary President Grant is a highlight; when Victoria visits him to announce her intentions to run for office, he laments, “You came to speak of your dreams, but I burden you with my nightmares.” A compulsively readable portrait full of rich characterization and well-observed historical detail.Pub Date: May 29, 2026
ISBN: 9781970157826
Page Count: 450
Publisher: Story Merchant
Review Posted Online: Aug. 12, 2026
Kirkus Reviews Issue: Nov. 1, 2026
Review Program: Kirkus Indie
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by Barbara Kingsolver ‧ RELEASE DATE: Oct. 6, 2026
Brilliant, affecting work from one of contemporary literature’s masters.
A phone call from her past disrupts the tenuously reconstructed life of a concert pianist turned farmer’s wife.
We know from the beginning that Livia Cable is the battered survivor of her brother Cyrus’ death by suicide, a devastating romance, and a career-ending injury. Only 11 when Cyrus stepped in front of a train, she was already marked out as different in her rural Tennessee hometown by her extraordinary musical ability. The siblings had huddled together against their angry mother’s frequent beatings, and Livia still feels abandoned by Cyrus years later, when she picks up the phone to hear the voice of Sigurd, the fiery labor organizer she loved and lost to “the revolution” while on scholarship at the Indiana University School of Music. Now married to kind, steady childhood friend Charlie, Livia looks back on her affair with Sigurd as she struggles to deal with the recent death of her mother, a compulsive hoarder who left a house stuffed with junk to be disposed of and bitter memories that haven’t faded over time. Kingsolver skillfully juggles the two time frames to unravel Livia’s complicated feelings about the life she lost when her right hand was crushed and the life she has now as a country piano teacher. A partita, she explains to Sigurd early on, “is a composition made of a lot of parts with a lot of different moods…the artist’s work is to make them all add up to something that feels whole.” That’s precisely what Kingsolver does in this beautifully paced and judged narrative, which builds to revelations uncovered amid the piles of trash in Livia’s childhood home about the reasons for Cyrus’ suicide (clearly foreshadowed) and their mother’s rage (startling and heartbreaking). A fierce belief that great art is for everyone joins Kingsolver’s familiar preoccupations with class distinctions, social injustice, and the complex bonds of family and community in a tender denouement.
Brilliant, affecting work from one of contemporary literature’s masters.Pub Date: Oct. 6, 2026
ISBN: 9780063577541
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
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SEEN & HEARD
by Kathryn Stockett ‧ RELEASE DATE: May 5, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
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New York Times Bestseller
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
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