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UNSTOPPABLE

THE VICTORIA WOODHULL STORY

A compulsively readable portrait full of rich characterization and well-observed historical detail.

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Danaher’s historical novel reconstructs the remarkable life of the first female U.S. presidential candidate.

Victoria Claflin’s upbringing is not auspicious. She’s born into utter poverty in 19th-century Homer, Ohio, and the book implies that she and her siblings might have suffered physical abuse from their father. Married off at 15 to a local doctor, Canning Woodhull, who’s much older and prone to drinking, Victoria seeks refuge in books. Largely self-educated, she first learns about conception in a “marriage guide” at a bookshop in Cleveland. She has a son, Byron, who never learns to speak, and a daughter, Zula. And though the marriage ultimately fails, she and Canning remain close. These early experiences instill in her a conviction that she has “a natural right to love whom I may, to love as long or short a period as I can,” and in time she becomes a passionate advocate for what the press misleadingly terms “free love.” Consumed by an Emersonian fervor (as a child, she has a mystical vision of Demosthenes that gives her a sense of extraordinary purpose), Victoria finds it a grave injustice that half the nation is disenfranchised: “I also pay taxes on such pleasures as tea, coffee, and sugar, all to maintain a government in which I have no voice.” So she decides to run for president, in a campaign that earns the support of her second husband, Colonel James Blood, and then-president Ulysses S. Grant, who points toward his own desk and says, “Someday you will occupy that chair.” But after she accuses famed preacher Henry Ward Beecher of adultery, she attracts the scrutiny of powerful foes who seek to put her in jail.

Danaher has written a deftly paced and meticulously researched novel about the life of an unjustly forgotten feminist pioneer, a far-seeing woman with shockingly modern notions of religion, gender politics, and happiness within marriage: “Men suffer nothing for their indiscretions, but women, even on suspicion of them, are crucified,” she notes. But she also challenges the assumption that women who sell sex are wicked while men who buy sex are simply being men. Victoria remains a vibrant presence throughout the book, a woman who scandalizes Wall Street (100 policemen are called out to restore order when she launches the first brokerage for women), claims powers of prophecy and clairvoyance, and earns the enmity of Susan B. Anthony. The irony that Woodhull sought election in an era before women could vote (and thus could not even cast a ballot for herself) is not lost on the author. Victoria’s sister Tennie, an equally exceptional woman who would later marry an English baronet, becomes almost a second protagonist. The world of 19th-century America, a world of house parlors, greased-pig races, steamship guides, lavender sachets, and lavish dinners (“oxtail soup, tenderloin of venison…old English plum pudding”), is rendered with novelistic detail, making the book a genuine pleasure. A number of the greatest men and women of the age have cameos, among them Walt Whitman, Elizabeth Cady Stanton, and Cornelius Vanderbilt, who pursues a brief flirtation with Tennie. An appearance by a world-weary President Grant is a highlight; when Victoria visits him to announce her intentions to run for office, he laments, “You came to speak of your dreams, but I burden you with my nightmares.” A compulsively readable portrait full of rich characterization and well-observed historical detail.

Pub Date: May 29, 2026

ISBN: 9781970157826

Page Count: 450

Publisher: Story Merchant

Review Posted Online: Aug. 12, 2026

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THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

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Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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WHISTLER

An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.

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A chance meeting in a museum unlocks a long-closed door in a family’s past.

Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”

An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.

Pub Date: June 2, 2026

ISBN: 9780063511637

Page Count: 304

Publisher: Harper/HarperCollins

Review Posted Online: April 6, 2026

Kirkus Reviews Issue: May 1, 2026

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