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THE WILD GIRL

In the bleak pages of history, Forsyth finds a story of enduring love and artistic integrity—her retelling is a fairy tale...

Forsyth (Bitter Greens, 2014, etc.) unearths a beautiful love story in the making of the Grimm brothers’ fairy-tale collection amid the turmoil of the Napoleonic Wars.

Twelve-year-old Dortchen Wild lives next door to Wilhelm Grimm and his brothers in the German kingdom of Hessen-Cassel. The “wildest” of six sisters, Dortchen would rather be outside than waiting on her bedridden mother to avoid the wrath of her ill-tempered father. Forsyth captures the sweetness of domestic life in a time of political unrest as Dortchen sneaks out to see Wilhelm, often bringing him herbal remedies from her father’s shop. Sickly and desperately poor, Wilhelm and his brother Jakob are collecting stories in the hope of publishing a book—and Dortchen hopes to get closer to him as he transcribes her homespun versions of “Hänsel and Gretel” and “Cinderella.” Her fanciful stories contain a morsel of truth, the most unsettling of which is found in “All-Kinds-of-Fur,” about a princess who's forced to marry her own father after her mother dies. Dortchen can’t hide from her father’s incestuous rage as she matures beyond his control. Nor can she shake the ghostly presence of Napoleon’s army: “Dortchen and her sisters had seen the innumerable red eyes of the French army’s campfires from the window of their sitting room.” Later, Forsyth describes the aftermath of war in chilling detail as Dortchen’s brother, Rudolf, returns from Russia with frostbitten fingers and toes, infecting his wife and baby with the germs from his coat. Wilhelm and Dortchen are separated for many years, enduring heartache, sacrifice, and longing as Wilhelm and Jakob work through several failed drafts of their book and Dortchen cares for her family.

In the bleak pages of history, Forsyth finds a story of enduring love and artistic integrity—her retelling is a fairy tale in itself.

Pub Date: July 7, 2015

ISBN: 978-1-250-04754-0

Page Count: 496

Publisher: Dunne/St. Martin's

Review Posted Online: June 21, 2015

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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ALL THE LIGHT WE CANNOT SEE

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 5, 2014

Kirkus Reviews Issue: March 15, 2014

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