A historically rich chronicling of private suffering across time, strata, and space.
In this collection of short stories, a varied cast of characters navigates the trauma of trying to reconcile past with present.
Some tales in Kasten’s (Better Days, 2013, etc.) collection address the ways in which lives in lands that are literally foreign to one another elude harmony. Professor Li Da-Ming weathers the overwhelming task of pursuing a competitive job opportunity in America while past horrors of the Chinese Cultural Revolution stir within him. An old woman finds herself flooded by memories of the Guatemalan civil war and the Mayan ruins of Tikal while babysitting in America. In one particularly breathtaking story, a boy growing up in World War II-ravaged Germany longs to be a soldier until, years later, he goes to war in Vietnam and is confronted by the “dazed, numb, animal stupidity” of doing so. Other tales are not immigrant stories, but they do address the ways in which past lives are rendered foreign lands by present disturbances. A Midwestern man and his family embark on the same trip he took to New Mexico as a bachelor and despairs when it fails to go as planned. An American veteran watches his cancer-ridden wife approach death and becomes hounded by memories of unprocessed loss. An old man joins a writing workshop and—unanticipatedly—revisits a heartbreaking childhood episode that he cannot bring himself to put on paper. As a whole, the collection swells with heart-rending tension. Kasten’s decision to allow these traumatic stories to find space in her prose—which is lovely and richly detailed—but not necessarily in the exterior lives of the formidably diverse characters is affecting. Further, the author’s expanse of historical knowledge is impressive. The opportunity to dip into an intimate day in the life of each pocket of history she writes about becomes an engrossing adventure for readers. That said, many of the tales’ endings feel either hastened, unfinished, or as if they are working too hard to make story titles relevant, an authorial maneuver that sells these otherwise powerful works short.
A historically rich chronicling of private suffering across time, strata, and space.Pub Date: May 30, 2018
ISBN: 978-0-692-09162-3
Page Count: 213
Publisher: Islet Press
Review Posted Online: May 25, 2018
Review Program: Kirkus Indie
This is a masterly novel. It will appeal to all lovers of fiction of the first order.
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana.
The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense.
This is a masterly novel. It will appeal to all lovers of fiction of the first order.Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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