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SO GAY FOR YOU

FRIENDSHIP, FOUND FAMILY, AND THE SHOW THAT STARTED IT ALL

A resonant and uplifting dual portrait of queer entertainment media in action.

The story of a 2004-09 lesbian melodrama and the two powerhouse actors behind its success.

Hailey and Moennig showcase the intimate details of their lives and careers in a dual memoir that begins with auditions in the early aughts for a proposed Showtime pilot hoping to ride on the success of Queer As Folk about a group of modern, sexually active Los Angeles lesbians called Earthlings. In alternating perspectives, Hailey and Moennig describe how the show’s development (and eventual name change to the more suitable The L Word) arrived at a time in both of their lives when acting work was desperately welcomed: Hailey was in a struggling rock band and Moennig was an actress “hungry for work.” While the show’s sudden popularity and their resultant fame was unexpectedly and head-spinningly brisk, both women managed to survive and thrive amid the pressures of Hollywood. Hailey was cast as Alice, a bisexual journalist, while Moennig portrayed edgy bed-hopping lesbian Shane, each to rousing success. In breezy, conversational prose, the writers affably share their separate histories: Hailey, an outgoing tomboy, emerged from “small and safe” Midwestern Nebraska roots with liberal parents, and freewheeling Moennig, whose mother was a popular Broadway dancer, was surrounded by gay men growing up in Philadelphia and was frequently misgendered in grade school. The authors’ queer identities emerged early, and their contributed experiences and differing interpersonal relationships helped gel their integration with The L Word cast and informed their unique performances in the sexually frank series, which went on to garner groundbreaking critical acclaim. Insider details on salary negotiations, character development, evolving storylines, set energy, spinoffs, reboots, and, of course, the show’s grand impact on the queer community and governmental politics add substance as both women conclude with appreciation and gratitude.

A resonant and uplifting dual portrait of queer entertainment media in action.

Pub Date: June 3, 2025

ISBN: 9781250361363

Page Count: 272

Publisher: St. Martin's

Review Posted Online: May 15, 2025

Kirkus Reviews Issue: June 15, 2025

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THE LOOK

Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.

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A coffee-table book celebrates Michelle Obama’s sense of fashion.

Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.

Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.

Pub Date: Nov. 4, 2025

ISBN: 9780593800706

Page Count: 304

Publisher: Crown

Review Posted Online: Nov. 7, 2025

Kirkus Reviews Issue: Jan. 1, 2026

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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