Thrills aplenty as readers await the next installment of this well-researched series.
In this follow-up to The Burning Chambers, (2019) Mosse’s characters endure the horrors of the St. Bartholomew’s Day massacre, in which the Huguenots—members of the French Protestant minority—were attacked by Catholics.
Minou Reydon, the Huguenot protagonist of Chambers, and her husband, Piet, are now, in 1572, the nobility in residence at Château de Puivert in Languedoc after having wrested it from a usurper. Minou’s entire extended family lives in the castle, including her brother, Aimeric, sister, Alis, and her Aunt Salvadora. Minou and Piet have two children, precocious 7-year-old Marta and toddler Jean-Jacques. The family’s idyll is about to be interrupted, though. Piet’s former friend Vidal, now a Catholic cardinal, is scheming to carry out grudges against both Minou and Piet, one long-standing and one very recent: Vidal has suspicions about Piet’s lineage that he is determined to both confirm and conceal. The Reydons’ troubles begin when they leave Puivert to attend a royal wedding in Paris. Marguerite, the Catholic daughter of Catherine de’ Medici, is to marry Henri, the Huguenot king of Navarre, who will one day accede to the throne of France. Many hope that the match will signal a truce in the religious strife that has rocked France for decades. However, certain renegade Catholics, led by the Duke of Guise and abetted by Vidal, plan a limited strike on key Huguenots in town for the wedding. But the violence spreads until a mob has murdered thousands. Minou, Piet, their son, and Salvadora manage to escape but, through a profoundly unlucky turn of events, leave Marta behind. This act will test Minou and Piet’s marital bond as, in exile from France, they establish a new life in Amsterdam. Mosse keeps a firm grip on the extremely complex Reformation history in which her characters are enmeshed. The role of Vidal in the plot is less successfully executed. The aging and ailing prelate appears too overtly crazy to fulfill his intended role as mastermind and nemesis. And there may be too many minutely described stabbings for some tastes.
Thrills aplenty as readers await the next installment of this well-researched series.Pub Date: Jan. 12, 2021
ISBN: 978-1-250-20218-5
Page Count: 560
Publisher: Minotaur
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
A somewhat ridiculous novel, nicely marbled with fine food and travel writing.
A stiff, lonely young woman takes a life-changing trip to Paris.
After suffering a miserable childhood at the hands of her narcissistic mother, Stella St. Vincent is surprised to receive an envelope labeled “For My Daughter” after Celia’s death in 1983. In it is a piece of paper that says “Go to Paris”; the money to pay for the trip will only be released after it’s booked. This is just the beginning of a silly story with a wildly overcaffeinated plot and characters that are not even close to real people, foremost among them an annoying protagonist who can’t stop shooting herself in the foot even as she miraculously finds her tribe and discovers her extraordinary gifts for eating and cooking. Though she lacks the instincts of a fiction writer, Reichl fills her second novel with the high-flying writing about food, wine, places, and clothes that have made her nonfiction work a well-deserved success. In fact, according to an author’s note, this book grew out of her editor’s request that she expand a chapter from her memoir about trying on a little black dress in Paris. Unfortunately, a few too many ingredients have been added, including a search for a forgotten 19th-century woman painter; appearances by culinary figures like Marc Meneau and Jean Troisgros and literary figures like John Ashbery, James Baldwin, and Allen Ginsberg; a nasty Mr. Darcy–style love interest; and the search for Stella’s father, whom she either does or doesn’t want to find depending on the page. But the food writing is almost worth the price of admission, ranging from the horrific to the euphoric. Here’s Stella eating ortolans, whole baby birds: “All her senses were concentrated in her mouth as her teeth crashed down again and again. She felt the skull crackle and tasted what must be brain. It was hot, it was primitive. It was exciting.”
A somewhat ridiculous novel, nicely marbled with fine food and travel writing.Pub Date: April 30, 2024
ISBN: 9780812996302
Page Count: 288
Publisher: Random House
Review Posted Online: Jan. 5, 2024
Kirkus Reviews Issue: Feb. 15, 2024
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
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