A highly original British vampire tale more erotic than vampiric, by the editor of Border Lines: Stories of Exile & Return (1993, not reviewed). A multimedia dramatist, Pullinger also joined Jane Campion on the novelization of The Piano. London-based travel writer Stephen obsesses about travel- agency expert Mina, who enjoys Stephen's sex and company but is given to late-night disappearances and really wants to do her own thingwhatever that might be. That thing is never definedwe're never told outright that Mina, despite certain outrÇ qualities, is...one of those. Meanwhile, we know that Mina's the bastard child of Lucy Savage and Harry Summers, themselves bastards. Harry was much like Mina, always lived apart and kept to himself, never told Lucy he loved her. His own mother, Hilda Summers, was also a bastard. All this bastardy points to the strange household habits of...of...people who cannot marry in church. In fact the night before she was to be buried, Hilda departed her coffin in the funeral home and never returned, thus escaping certainone might say unhealthyburial rites. Harry had the empty coffin buried anyway, never wondering deeply what happened to his mother. And so it goes. Stephen now tries to break off with Mina time and again, goes alone to countries he writes about only to return and take up the old routine. On their one long trip to Spain together, Mina finds herself really liking Stephen, so back in London they shack up. But Stephen grows fat on Mina's take-out dinners and, when he is finally hospitalized, discovers that he's almost bloodless. You can't blame Mina, though. She's never awake when . . . hmmm, whatever it is . . . happens. Lots of sex, and why not, in a precisely told charmer that asks, Where does kissing end and the Bloody Mary begin? (Film rights to British Broadcasting Corporation)
Pub Date: Oct. 1, 1995
ISBN: 1-85242-277-7
Page Count: 129
Publisher: Serpent’s Tail
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1995
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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