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MONTFORT

THE REVOLUTIONARY 1253 TO 1260

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In this riveting third volume of Ashe’s historical fiction, Simon de Montfort returns to England where he becomes embroiled in revolution against the king.

The deep but ultimately doomed filial love between Simon and Edward, heir to the throne—and, in Ashe’s telling, Simon’s illegitimate son—is poignantly developed. When the beautiful but vicious Edward orders an acolyte to prove his loyalty by gouging out the eyes of a peasant child, the whole kingdom is appalled. But Simon goes to Edward’s aid, admonishes him and then forgives him. England is now completely bankrupt, but Henry egregiously sets out on a Grand Progress through France, accompanied by an entourage swagged with gold and ivory. Ashe’s detailing of the procession is not only a forensic paean to foppery but a schadenfreuden build-up to a bonfire of vanities. Henry feels like a cheap Christmas tree when he is met by King Louis of France, dressed in drab penitential robes with a tiny cross as the only embroidery. Despite their sartorial differences, a personal chemistry kindles between the two monarchs, but Simon, caught between a changeling Henry and an insecure Louis, continues to be a nowhere man. It’s in France that he hears the second prophecy of parliament from an old Dominican monk, that in the New Age “our leaders will be chosen as monks choose their abbots. By election.” As famine and injustice ravage England and Henry foolishly pledges the Crown to the Pope so that he can have Sicily for his hunchback son Edmund, the barons finally revolt with Simon at the helm. Henry is defanged, the Magna Carta re-fanged and the Provisions of Oxford established. But unlike the idealistic Simon, the barons don’t want their unlettered tenants to be empowered. The poor still love St. Simon, but the barons now loathe him. He is arrested and sent to the Tower. As in the last two volumes, Ashe lards her tale with some informed guesswork and some wild speculation. The ghastly torture scene in the Tower with Henry III vomiting at the savagery is perfervid fantasy, but it works because it’s grafted onto a factual skeleton. An expertly told tale in which the star role is played by democracy, a poisoned chalice to be won only at the cost of treason.

 

Pub Date: Feb. 9, 2011

ISBN: 978-1452844473

Page Count: 454

Publisher: CreateSpace

Review Posted Online: Nov. 15, 2011

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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ALL THE LIGHT WE CANNOT SEE

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 5, 2014

Kirkus Reviews Issue: March 15, 2014

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