Jenny’s decision will come as no surprise, but this debut novel offers credible descriptions of first-time motherhood,...
Ditched by her partner right before she gives birth, a young mother must decide whether to take him back or give a new love interest.
In the realm of adult responsibilities, Houstonian Jenny Harris knows her fiancé, Dean Murphy, comes up short. A retirement-benefits analyst who performs in a half-baked cover band, Dean still receives monthly checks from his well-heeled parents, smokes more than he should and moons over other women. He meets Jenny, in fact, while chasing a friend of hers, but when that doesn’t pan out, they settle into a live-in relationship, and he proposes marriage. Getting pregnant before the wedding, Jenny frets about Dean’s ambivalence toward impending fatherhood, especially after his peculiar response to a pretty coworker’s death. While Jenny quits her job at an antiques store and organizes a garage sale to prepare for their child, Dean clings to band practice and gigs at local dives. One night he walks out, leaving her with a breakup note and a baby due any minute. Daughter Maxie brings unexpected joys and burdens, which newly single Jenny shoulders with the support of her divorced parents, best friend Meredith, other mothers from her childbirth class and an attractive neighbor named John Gardner. A pediatric nephrologist who has taken up renovating and selling houses, John has an uncanny knack for appearing when Jenny needs him most. Nurturing, attentive and good with Maxie, he keeps Jenny company in a blackout and paints her garage when she decides to start an antiques business. His unobtrusive courtship culminates in an evening of margaritas and salsa dancing. But then Dean returns, seeking reconciliation.
Jenny’s decision will come as no surprise, but this debut novel offers credible descriptions of first-time motherhood, affecting characters and situations and low-key charm.Pub Date: June 26, 2007
ISBN: 1-4000-6637-9
Page Count: 240
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2007
Jones beautifully evokes Atlanta in the 1980s while creating gritty, imperfect characters whose pain lingers in the reader’s...
In her third novel set in Atlanta, Jones (The Untelling, 2005, etc.) writes about two African-American half sisters, only one of whom knows that the other exists until their father’s double life starts to unravel.
When James Witherspoon, the owner of a successful limousine service, and Gwendolyn Yarboro have their marriage ceremony in 1969 four months after the birth of their baby Dana, Gwen knows that James already has a wife and an even younger baby. While James, who visits regularly if never often enough, and Gwen, a practical nurse, make sure Dana has every middle-class advantage, Dana grows up aware that her parents’ “marriage” is a secret and that she cannot openly claim her father; James’ devoted stepbrother Raleigh is listed on her birth certificate. Gwen and Dana habitually spy on James’ legitimate wife Laverne and daughter Chaurisse, who live in blissful ignorance of James’s bigamy. By adolescence, Dana, who attends a prestigious magnate high school and wants to attend Mount Holyoke, increasingly resents the plainer, less gifted Chaurisse, whose needs always seem to come first for James. After meeting Chaurisse by accident at a science fair, Dana finds ways for their paths to intersect. When she finally “befriends” Chaurisse, Chaurisse is thrilled that a popular girl likes her enough to visit her at home. Visits happen during hours Dana knows James will not be there. Dana’s adolescent plans, for acceptance as much as revenge, inevitably go awry, but this is less a tragedy than a case of survival and making do. While Dana is at the novel’s center, Jones gives both girls’ points of view, allowing readers to empathize with each of James’s families. Chaurisse may not know about Dana, but she is far from blissful in her ignorance, and her mother Laverne has endured more than her fair share of suffering. James is harder to fathom but also hard to hate.
Jones beautifully evokes Atlanta in the 1980s while creating gritty, imperfect characters whose pain lingers in the reader’s heart.Pub Date: May 24, 2011
ISBN: 978-1-56512-990-0
Page Count: 352
Publisher: Algonquin
Review Posted Online: Feb. 1, 2011
Kirkus Reviews Issue: Feb. 1, 2011
An improvement over The Dead Zone, with King returning to his most tried-and-true blueprint. As in The Shining, the psi-carrier is a child, an eight-year-old girl named Charlie; but instead of foresight or hindsight, Charlie has firestarting powers. She looks and a thing pops into flame—a teddy bear, a nasty man's shoes, or (by novel's end) steel walls, whole houses, and stables and crowds of government villains. Charlie's parents Vicky and Andy were once college guinea pigs for drug experiments by The Shop, a part of the supersecret Department of Scientific Intelligence, and were given a hyperpowerful hallucinogen which affected their chromosomes and left each with strange powers of mental transference and telekinesis. When Vicky and Andy married, their genes produced Charlie and her wild talent for pyrokinesis: even as a baby in her crib, Charlie would start fires when upset and, later on, once set her mother's hands on fire. So Andy is trying to teach Charlie how to keep her volatile emotions in check. But when one day he comes home to find Vicky gruesomely dead in the ironing-board-closet, murdered by The Shop (all the experimental guinea pigs are being eliminated), Andy goes into hiding with Charlie in Manhattan and the Vermont backwoods—and Charlie uses her powers to set the bad men on fire and blow up their cars. They're soon captured, however, by Rainbird, a one-eyed giant Indian with a melted face—and father and daughter, separated, spend months being tested in The Shop. Then Andy engineers their escape, but when Andy is shot by Rainbird, Charlie turns loose her atomic eyes on the big compound. . . . Dumb, very, and still a far cry from the excitement of The Shining or Salem's Lot—but King keeps the story moving with his lively fire-gimmick and fewer pages of cotton padding than in his recent, sluggish efforts. The built-in readership will not be disappointed.
Pub Date: Sept. 29, 1980
ISBN: 0451167805
Page Count: 398
Publisher: Viking
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: Sept. 1, 1980
BOOK TO SCREEN
BOOK TO SCREEN
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