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SECONDHAND WORLD

Name: SECONDHAND WORLD
Author: Katherine Min
ISBN: 0-307-26344-4

by Katherine Min ‧ RELEASE DATE: Oct. 7, 2006

Min evokes period and place as well as characters with stringent attention and honesty.

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In Min’s troubling yet lovely debut, a Korean-American burn victim circa 1976 tries to make sense of the house fire that killed her parents.

While recovering from burns over 30% of her body, 18-year-old Isadora Myung Hee Sohn—Isa for short—looks back on her life and the life of her parents to understand why one of them set the fatal fire the night before Isa was to graduate from high school. Isa’s father, a scientist and professor in Albany, had always seemed cold and remote. Her docile mother, a beautiful former ballerina lightly scarred from a fire in her own childhood, had returned to college to study poetry. Isa, an only child since her younger brother died in a tragic accident, rejected much of her parents’ Korean culture and rebelled against her father’s authoritarian rules. Ambivalent about standing out, she wanted to be fully American. She spent more and more time at her friend Rachel’s house, drawn as much by Rachel’s messy but relaxed parents as by Rachel. Isa became romantically involved with another outsider at school, Hero, a blind Albino who imagined himself the next Johnny Winter. After his parents threatened to send him to a special school for the visually impaired, Hero convinced Isa and Rachel to run away with him to California. The three shared a moment of sexual experimentation that titillated yet frightened them before they were apprehended and brought home, their relationships shattered. Still distraught at losing Hero, Isa caught her mother kissing her poetry professor. She told her father, who was, of course, crushed. After the fire, Isa assumes her father’s responsibility until she reads his journal, which makes clear that he was incapable of such violence. Isa recognizes that her mother set the fire, but realizes that placing guilt matters less than appreciating her own survival. Isa’s parents remain cloudy but powerful mysteries.

Min evokes period and place as well as characters with stringent attention and honesty.

Pub Date: Oct. 7, 2006

ISBN: 0-307-26344-4

Page Count: 288

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 2006

Categories:

GENERAL FICTION

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

by Larry McMurtry ‧ RELEASE DATE: June 1, 1985

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This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

Categories:

GENERAL FICTION

- BOOK REVIEW
IN A NARROW GRAVE
by Larry McMurtry

- BOOK REVIEW
THALIA
by Larry McMurtry

- BOOK REVIEW
THE LAST KIND WORDS SALOON
by Larry McMurtry

- PERSPECTIVES
From the Editor’s Desk: Watching Revered Writers Watch Themselves

- IN THE NEWS
Novelist Larry McMurtry Dies at 84

- SEEN & HEARD
‘Lonesome Dove’ Is Pick for New Texas Book Club

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DISTANT SHORES

by Kristin Hannah ‧ RELEASE DATE: July 1, 2002

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

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Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).