SAUDADE

Located in both Portugal and California, Vaz's first novel takes a stab at magical realism. Unfortunately, the result is a mish-mash. A Portuguese sailor and his wife give birth to a deaf and mute, but wildly loving baby girl. When still very young, Clara develops her own enchanting form of communication, using sugar to trace patterns and gestures. Endearing as this is, Clara is not believable. Writing entirely in the third person, Vaz offers insights into Clara's thoughts, endowing her with supernatural powers. The moment she becomes an orphan, Clara finds her voice. She moves to California with a priest who, charged with her care, accepts as church property the vineyard Clara's mother inherited. Here, along with neighbors and a lover as driven by seafaring ghosts as she is, Clara becomes priestess in a world of phantasmagorical exorcisms. The sugar hieroglyphs expand to include colors and sounds; fish scales are used to form elaborate fetishes; she gains and then loses the ability to read. Surrounding them are other characters with their own hallucinatory lives: Clara's severely deformed infant; Caliopia, whose sole purpose is to understand (and teach) all the secrets of mourning; a girl so beautiful her grandmother kept her hidden for years under the boards of their henhouse. Despite such an intriguing cast, the writing is pedestrian, waxing poetic at all the wrong moments. Were it not for the jacket summary we would have trouble discovering that Clara's father died at sea. Both characters and bystanders spend so much time struggling with elements of myth and dream that readers are unable to suspend belief, let alone forge a new reality. With any luck, this book will quickly follow its characters into some obscure and unmemorable netherworld.

Pub Date: June 1, 1994

ISBN: 0-312-11055-3

Page Count: 304

Publisher: St. Martin's

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 1, 1994

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An enjoyable, cozy novel that touches on tough topics.

THE AUTHENTICITY PROJECT

A group of strangers who live near each other in London become fast friends after writing their deepest secrets in a shared notebook.

Julian Jessop, a septuagenarian artist, is bone-crushingly lonely when he starts “The Authenticity Project”—as he titles a slim green notebook—and begins its first handwritten entry questioning how well people know each other in his tiny corner of London. After 15 years on his own mourning the loss of his beloved wife, he begins the project with the aim that whoever finds the little volume when he leaves it in a cafe will share their true self with their own entry and then pass the volume on to a stranger. The second person to share their inner selves in the notebook’s pages is Monica, 37, owner of a failing cafe and a former corporate lawyer who desperately wants to have a baby. From there the story unfolds, as the volume travels to Thailand and back to London, seemingly destined to fall only into the hands of people—an alcoholic drug addict, an Australian tourist, a social media influencer/new mother, etc.—who already live clustered together geographically. This is a glossy tale where difficulties and addictions appear and are overcome, where lies are told and then forgiven, where love is sought and found, and where truths, once spoken, can set you free. Secondary characters, including an interracial gay couple, appear with their own nuanced parts in the story. The message is strong, urging readers to get off their smartphones and social media and live in the real, authentic world—no chain stores or brands allowed here—making friends and forming a real-life community and support network. And is that really a bad thing?

An enjoyable, cozy novel that touches on tough topics.

Pub Date: Feb. 4, 2020

ISBN: 978-1-9848-7861-8

Page Count: 368

Publisher: Pamela Dorman/Viking

Review Posted Online: Oct. 27, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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A strict report, worthy of sympathy.

THE CATCHER IN THE RYE

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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