STILL WATERS IN NIGER

A woman restores her frayed relationship with an adult daughter, in a story that’s more a meditation on motherhood and place (in this case Africa) than a narrative-centered tale. The nameless narrator, a middle-aged Irish-American woman, returns to Niger, where her eldest daughter Zara is working at a medical center in the provincial town of Matamaye. It lies near Zinder, the village the narrator lived in 17 years before with her three children and husband, who was then working on his Ph.D. dissertation. Both towns are on the edge of the desert; sandstorms are common, water scarce, and crops scanty. In addition, malnutrition is endemic, beggars with horrible deformities are numerous, and many of the children Zara cares for are dying of hunger. As the narrator accompanies Zara on her rounds, meeting her daughter’s women friends, she is preoccupied with her failure to have done more to help when she lived in Zinder, where something happened that marred her relationship with her daughter. And in luminous if sometimes overwrought prose she recalls her own often difficult relationship with her mother and her confused emotions upon learning that she was pregnant with Zara. But as she meets African women and their daughters, she realizes that they are bound by ties that both strain and strengthen their relationships. In an anticlimactic, even trite revelation, the narrator learns why Zara felt that her mother failed her on her sixth birthday in Zinder. Rifts healed, insights gained, and a symbolic gift made, she is then ready to leave both Zara and Zinder. First-novelist Hill, who once lived in Africa herself, offers some beautiful evocations of place and people but not enough, sadly, to give this thin tale life.

Pub Date: May 1, 1999

ISBN: 0-8101-5089-1

Page Count: 207

Publisher: Northwestern Univ.

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 15, 1999

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ANIMAL FARM

A FAIRY STORY

A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.

Pub Date: Aug. 26, 1946

ISBN: 0452277507

Page Count: 114

Publisher: Harcourt, Brace

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: Aug. 1, 1946

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Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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ALL THE LIGHT WE CANNOT SEE

Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 6, 2014

Kirkus Reviews Issue: March 15, 2014

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