A cinematic but refreshingly unsentimental take on the classic Western, starring a woman who is no romantic heroine, but a...
After two novels re-imagining the history of her own New England ancestors (The Heretic’s Daughter, 2008; The Traitor's Wife (originally entitled The Wolves of Andover, 2010)), Kent turns her attention to post–Civil War Texas, where law and morality are far more elastic.
In 1870, Lucinda Carter steals away (steal being the operative word) from the Fort Worth brothel where she’s worked in semi-slavery as a prostitute. But do not expect her to have a heart of gold. Despite the occasional seizures she hides from most of her clients, she is tough, conniving and deadly when necessary. Having procured a teaching position under false pretenses, she heads to Middle Bayou, Texas, where legend has it that the pirate Lafitte buried his gold and where she hopes to meet up with her secret lover. Meanwhile, young Oklahoman Nate Cannon joins the Texas police force and is assigned to work with veteran Rangers George Deerling and Tom Goddard. As Lucinda manipulates her way into the hearts of her new employers, a community of former land and slave owners from the Deep South, Nate and the Rangers track ruthless killer William McGill. Goddard, a former medical student with an intellectual bent, takes Nate under his wing, but Nate finds he needs to prove himself to the more coldblooded Deerling. Shortly after Deerling finally accepts Nate and confides that he once had a daughter he mistreated, the experienced Ranger is killed by one of McGill’s henchmen. Goddard tells Nate that he loved and married Deerling’s daughter, although, as a child, she was permanently damaged by her father’s decision to place her in an asylum for her epilepsy. She ran off while pregnant, and Goddard does not know what happened to their child, but his wife has become Lucinda. After McGill and Lucinda’ Middle Bayou plans go awry and Nate and Goddard close in, all hell breaks loose.
A cinematic but refreshingly unsentimental take on the classic Western, starring a woman who is no romantic heroine, but a definite survivor.Pub Date: Oct. 1, 2013
ISBN: 978-0-316-20612-9
Page Count: 336
Publisher: Little, Brown
Review Posted Online: Aug. 16, 2013
Kirkus Reviews Issue: Sept. 1, 2013
PROFILES
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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