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THE CHANCELLOR

THE REMARKABLE ODYSSEY OF ANGELA MERKEL

A human portrait more than a political one that amply captures the essence of a moral, determined leader.

A glowing biography of the famously cautious yet effective chancellor of Germany.

Marton, A Hungarian-born American foreign correspondent, clearly admires Angela Merkel (b. 1954), who has served as chancellor since 2005 and was hailed in a 2020 Pew Research poll as “the world’s most trusted leader, regardless of gender.” The author marvels especially at Merkel’s early years in East Germany, where her pastor father joined the call to serve the socialist East by moving his family from Hamburg to the rural hamlet of Templin, in the heart of the Soviet-occupied Democratic Republic of Germany. Indoctrinated in school, sealed off from the West by border walls in 1961, and spied on by her neighbors for the state security police, Merkel toed the line and kept a low profile while excelling at physics, first in Leipzig and then in East Berlin. With the fall of the Berlin Wall in 1989, she embraced a new profession: politics. When the East German DA party merged with the West German CDU, she became the mentee of the powerful Helmut Kohl. Working her way steadily up the ranks, Merkel ultimately assumed leadership of her party after Kohl left office. Unglamorous by choice, workmanlike to a fault, and used to sidestepping male egos, Merkel proved herself to be a deft civil servant and leader, especially in opening Germany’s borders to refugees in 2015 despite the backlash. “Her political rise,” writes Marton, “would be fueled by self-control, strategic thinking, and, when necessary, passive aggression.” Merkel’s determination to bolster Europe’s cohesion with French president Emmanuel Macron’s help and to strengthen ties between Europe and the U.S., despite opposition and/or apathy from the Trump administration, form her lasting legacy. Though the text is somewhat short on criticism, Marton clearly knows her subject and writes smoothly, pulling back the curtain on an enigmatic, significant world figure.

A human portrait more than a political one that amply captures the essence of a moral, determined leader.

Pub Date: Oct. 26, 2021

ISBN: 978-1-5011-9262-3

Page Count: 368

Publisher: Simon & Schuster

Review Posted Online: Aug. 12, 2021

Kirkus Reviews Issue: Sept. 1, 2021

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I KNOW WHY THE CAGED BIRD SINGS

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."

Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Pub Date: Feb. 1, 1969

ISBN: 0375507892

Page Count: 235

Publisher: Random House

Review Posted Online: May 14, 2012

Kirkus Reviews Issue: Feb. 1, 1969

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GIRL, INTERRUPTED

When Kaysen was 18, in 1967, she was admitted to McLean Psychiatric Hospital outside Boston, where she would spend the next 18 months. Now, 25 years and two novels (Far Afield, 1990; Asa, As I Knew Him, 1987) later, she has come to terms with the experience- -as detailed in this searing account. First there was the suicide attempt, a halfhearted one because Kaysen made a phone call before popping the 50 aspirin, leaving enough time to pump out her stomach. The next year it was McLean, which she entered after one session with a bullying doctor, a total stranger. Still, she signed herself in: ``Reality was getting too dense...all my integrity seemed to lie in saying No.'' In the series of snapshots that follows, Kaysen writes as lucidly about the dark jumble inside her head as she does about the hospital routines, the staff, the patients. Her stay didn't coincide with those of various celebrities (Ray Charles, Sylvia Plath, Robert Lowell), but we are not likely to forget Susan, ``thin and yellow,'' who wrapped everything in sight in toilet paper, or Daisy, whose passions were laxatives and chicken. The staff is equally memorable: ``Our keepers. As for finders—well, we had to be our own finders.'' There was no way the therapists—those dispensers of dope (Thorazine, Stelazine, Mellaril, Librium, Valium)—might improve the patients' conditions: Recovery was in the lap of the gods (``I got better and Daisy didn't and I can't explain why''). When, all these years later, Kaysen reads her diagnosis (``Borderline Personality''), it means nothing when set alongside her descriptions of the ``parallel universe'' of the insane. It's an easy universe to enter, she assures us. We believe her. Every word counts in this brave, funny, moving reconstruction. For Kaysen, writing well has been the best revenge.

Pub Date: June 1, 1993

ISBN: 0-679-42366-4

Page Count: 176

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 1993

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