A smart, ambitious dystopian tale that teases the protagonists’ epic genesis but saves most of the details for later volumes.
Government types and a mysterious figure pursue a girl and her twin brother in this debut sci-fi novel and series opener.
Elize and Keeto Simone live in a world of ravaged oceans and deadly gases. And there’s deceit as well, as least from their father, who they suspect has kept things from them, namely details on their mother’s predicament. Years ago, the Global Health Unit took her away, placing her in a hospital’s psychiatric wing. Now Elize is experiencing symptoms of possible mental deterioration (for example, hearing voices). Believing she’ll be hospitalized, too, the twins leave their father behind for Schrödinger University; Elize earned acceptance into the bioengineering program. Determined to maintain a low profile and decipher their father’s flashes (memory recordings), the siblings meet new people but struggle with trust, from Caroline to technological genius Stitch. The enigmatic Nathruyu, meanwhile, trails the twins to the university, certain that her destiny’s somehow tied to theirs. But she’s not the only one hunting them; the Unification’s also after them, and Elize and Keeto want answers, starting with their own origin. Lefave splits her striking tale into three distinct, mostly linear perspectives: Nathruyu’s vague narrative; Elize’s animated, first-person account; and Keeto’s journal entries for their mother. Nathruyu’s story is often bewildering, as her link to the twins remains deliberately obscure. But even abstract moments spawn visual prose: “The atmosphere grows thick with regret, strangling her lungs, as her brain spins inside her skull.” Readers should peruse a glossary addendum first since most slang, though clever and derived from various sources and countries, is sans context. Lefave enhances the plot with murders on campus (some a mystery, others unfolding from a killer’s viewpoint). Much, however, is left unresolved; one character’s promise of answers is an ending riddle that reveals nothing.
A smart, ambitious dystopian tale that teases the protagonists’ epic genesis but saves most of the details for later volumes.Pub Date: July 7, 2017
ISBN: 978-1-988814-00-1
Page Count: 384
Publisher: Aguacene Publishing
Review Posted Online: July 20, 2017
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An ambitious and satisfying conclusion to a monumental saga.
Brown completes his science-fiction trilogy with another intricately plotted and densely populated tome, this one continuing the focus on a rebellion against the imperious Golds.
This last volume is incomprehensible without reference to the first two. Briefly, Darrow of Lykos, aka Reaper, has been “carved” from his status as a Red (the lowest class) into a Gold. This allows him to infiltrate the Gold political infrastructure…but a game’s afoot, and at the beginning of the third volume, Darrow finds himself isolated and imprisoned for his insurgent activities. He longs both for rescue and for revenge, and eventually he gets both. Brown is an expert at creating violent set pieces whose cartoonish aspects (“ ‘Waste ’em,’ Sevro says with a sneer” ) are undermined by the graphic intensity of the savagery, with razors being a favored instrument of combat. Brown creates an alternative universe that is multilayered and seething with characters who exist in a shadow world between history and myth, much as in Frank Herbert’s Dune. This world is vaguely Teutonic/Scandinavian (with characters such as Magnus, Ragnar, and the Valkyrie) and vaguely Roman (Octavia, Romulus, Cassius) but ultimately wholly eclectic. At the center are Darrow, his lover, Mustang, and the political and military action of the Uprising. Loyalties are conflicted, confusing, and malleable. Along the way we see Darrow become more heroic and daring and Mustang, more charismatic and unswerving, both agents of good in a battle against forces of corruption and domination. Among Darrow’s insights as he works his way to a position of ascendancy is that “as we pretend to be brave, we become so.”
An ambitious and satisfying conclusion to a monumental saga.Pub Date: Feb. 9, 2016
ISBN: 978-0-345-53984-7
Page Count: 400
Publisher: Del Rey/Ballantine
Review Posted Online: Dec. 8, 2015
Kirkus Reviews Issue: Dec. 15, 2015
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the...
Brown presents the second installment of his epic science-fiction trilogy, and like the first (Red Rising, 2014), it’s chock-full of interpersonal tension, class conflict and violence.
The opening reintroduces us to Darrow au Andromedus, whose wife, Eo, was killed in the first volume. Also known as the Reaper, Darrow is a lancer in the House of Augustus and is still looking for revenge on the Golds, who are both in control and in the ascendant. The novel opens with a galactic war game, seemingly a simulation, but Darrow’s opponent, Karnus au Bellona, makes it very real when he rams Darrow’s ship and causes a large number of fatalities. In the main narrative thread, Darrow has infiltrated the Golds and continues to seek ways to subvert their oppressive and dominant culture. The world Brown creates here is both dense and densely populated, with a curious amalgam of the classical, the medieval and the futuristic. Characters with names like Cassius, Pliny, Theodora and Nero coexist—sometimes uneasily—with Daxo, Kavax and Sevro. And the characters inhabit a world with a vaguely medieval social hierarchy yet containing futuristic technology such as gravBoots. Amid the chronological murkiness, one thing is clear—Darrow is an assertive hero claiming as a birthright his obligation to fight against oppression: "For seven hundred years we have been enslaved….We have been kept in darkness. But there will come a day when we walk in the light." Stirring—and archetypal—stuff.
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the future and quasi-historicism.Pub Date: Jan. 6, 2015
ISBN: 978-0-345-53981-6
Page Count: 448
Publisher: Del Rey/Ballantine
Review Posted Online: Oct. 22, 2014
Kirkus Reviews Issue: Nov. 1, 2014
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