A thoughtful and sometimes thought-provoking mixed bag of philosophic musings.



A rounded menagerie of naturalistic poems, many holding mythic resonance.

The first poetry collection from Harvey (Vogel and the White Bull, 2009, etc.) looks to nature and the past for an explanation of the perennial ways of man. Deadly serious and brimming with short, free-verse treatments of creation stories, whether of biblical, Egyptian or Shamanistic origin, these painterly poems present many suggestive scenes against some less-engaging thematic backdrops. Apart from the work’s title–which enticingly conjures up the mysteries of ancient civilizations whose prelanguage rock engravings we are still trying to decipher–and use of the term “revenant”–so recurrent one expects Harvey’s vaguely undead to appear as vividly as in A Christmas Carol–the effect of the volume as a whole is unmemorable. For example, “La Parole” takes a moment from the present then rather heavy-handedly summons practically the entire history of human communication: “The night hums with a heat / that embraces southern stars / that glitter above moist haze. / She in a word is a revenant / who escapes her captivity […] Soon, the caravans / congregate / and translate / the runes and hieroglyphs / of Babel.” More successful are a series of three “wolf” poems which explore the ravages of aging and vagaries of human relations through the metaphor of the uncivilized pack, and shorter works like “Smoothest Stone,” with its sharp Platonic conclusion–“The smoothest stone weighs / heavy in the bed of a trout’s stream. / Silver scales shimmer / sanded by breathless time, / a spear’s head thrust into being, / resting on our meridian”–and “Couple,” which provocatively depicts a post-Eden Adam and Eve “twitching / from a palsy / of self-involvement.”

A thoughtful and sometimes thought-provoking mixed bag of philosophic musings.

Pub Date: N/A

ISBN: 978-0-595-52001-5

Page Count: -

Publisher: N/A

Review Posted Online: May 23, 2010

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A strange, subtle, and haunting novel.

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A financier's Ponzi scheme unravels to disastrous effect, revealing the unexpected connections among a cast of disparate characters.

How did Vincent Smith fall overboard from a container ship near the coast of Mauritania, fathoms away from her former life as Jonathan Alkaitis' pretend trophy wife? In this long-anticipated follow-up to Station Eleven (2014), Mandel uses Vincent's disappearance to pick through the wreckage of Alkaitis' fraudulent investment scheme, which ripples through hundreds of lives. There's Paul, Vincent's half brother, a composer and addict in recovery; Olivia, an octogenarian painter who invested her retirement savings in Alkaitis' funds; Leon, a former consultant for a shipping company; and a chorus of office workers who enabled Alkaitis and are terrified of facing the consequences. Slowly, Mandel reveals how her characters struggle to align their stations in life with their visions for what they could be. For Vincent, the promise of transformation comes when she's offered a stint with Alkaitis in "the kingdom of money." Here, the rules of reality are different and time expands, allowing her to pursue video art others find pointless. For Alkaitis, reality itself is too much to bear. In his jail cell, he is confronted by the ghosts of his victims and escapes into "the counterlife," a soothing alternate reality in which he avoided punishment. It's in these dreamy sections that Mandel's ideas about guilt and responsibility, wealth and comfort, the real and the imagined, begin to cohere. At its heart, this is a ghost story in which every boundary is blurred, from the moral to the physical. How far will Alkaitis go to deny responsibility for his actions? And how quickly will his wealth corrupt the ambitions of those in proximity to it? In luminous prose, Mandel shows how easy it is to become caught in a web of unintended consequences and how disastrous it can be when such fragile bonds shatter under pressure.

A strange, subtle, and haunting novel.

Pub Date: March 24, 2020

ISBN: 978-0-525-52114-3

Page Count: 320

Publisher: Knopf

Review Posted Online: Nov. 25, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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A strict report, worthy of sympathy.


A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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