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WE COULD'VE BEEN HAPPY HERE

A gritty, emotionally sensitive clutch of stories.

A debut story collection about hard-luck denizens of rural and exurban Iowa.

The heartland, as captured in Lesmeister’s debut, is a downcast place, replete with meth shacks, mortality, and regret. The narrator of “Burrowing Animals” is a recovering addict who’s desperate to prove he’s worthy of seeing his children again; in “Lie Here Next to Me,” a young woman tries to protect her dying mother from her grandmother’s interventions; in “A Real Future,” one of the few black residents of a rural county endures a series of headaches and humiliations from everyone from DMV workers to people judging his marriage to a white woman. Lesmeister’s vision of Iowa isn't exclusively somber, though. He can bring wit and lightness to these dirty-realist tales, as in “Today You’re Calling Me Lou,” in which the narrator ferries his foulmouthed, no-nonsense grandmother to a garage sale. (“She laughs and it sounds like motor oil gurgling around her lungs.”) He can also craft tender characterizations, as in “Between the Fireflies,” in which two fifth-graders are charged with shooting rabbits approaching a neighborhood garden, a task lightly in parallel to the girl’s father’s deployment in the Middle East. And like any good short story writer, he can deliver an eye-catching opening (“Elbow and I ducked out of our nephew’s birthday party and drove to Walmart to check on ammo prices”), though a broader canvas might improve some of these stories, which sometimes close on notes of pat ambiguity. But for a first-timer, Lesmeister has developed an admirably concise style and a knack for capturing people during difficult coming-of-age moments or dispiriting processes of decline. Like the amateur cowherds in the title story, they’re recognizing that life is often disorderly, with help hard to come by.

A gritty, emotionally sensitive clutch of stories.

Pub Date: May 16, 2017

ISBN: 978-1-944850-05-0

Page Count: 211

Publisher: MG Press

Review Posted Online: March 6, 2017

Kirkus Reviews Issue: March 15, 2017

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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