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KASPER MÜTZENMACHER’S CURSED HAT

LIFE INDIGO, BOOK ONE

Beyond fantastical, but it keeps the reader eager to uncover its final destination.

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Debut author Fentonmiller presents a novel about a man and his supernatural hat.

The reader first meets hat maker Kasper Mützenmacher in Berlin in 1923. Kasper is a feverish jazz enthusiast who likes nothing more than Duke Ellington and a glass of Bushmills. At a jazz club, Kasper meets a lively young woman named Isana, who mocks a horde of Nazis that storm the club. Her display draws the wrath of Klaus, rumored to steal women’s faces. One can only imagine what will happen to Isana when she is taken away. Kasper, though, is no ordinary hatter. Thanks to a curse passed down for generations, he’s forced into his trade. But he has access to some very peculiar headgear: a hat stolen from the Greek god Hermes that allows its wearer to transport to any conceived of location. If used incorrectly, the hat can lead users to become addicted to its powers. After Kasper uses the hat to rescue Isana, his life becomes even more perilous. But Kasper and his family’s safety are merely part of what becomes an epic, international adventure. All at once, the story is serious, fantastical, and alluringly strange. Horrors of the buildup to Nazi power mix with the idea that a family is cursed to stay in the hat business (which, as far as curses go, seems a pretty light one). Later chapters involve life in America, race relations in Detroit, and a stretched metaphor that people cannot be forced to change—much how “you’ll never make a bowler into a top hat.” The adventure stirs these elements in a way that keeps the reader guessing and intrigued about Kasper’s fate. Taking the concept of a transporting hat seriously can be difficult at times (one character is said to be “utterly powerless against the hat”); however, the book’s odd tone inevitably brings the reader to odd places. And they are places that culminate in an undeniably imaginative journey.

Beyond fantastical, but it keeps the reader eager to uncover its final destination.

Pub Date: March 20, 2017

ISBN: 978-1-62007-285-1

Page Count: 441

Publisher: Curiosity Quills Press

Review Posted Online: Jan. 15, 2018

Kirkus Reviews Issue: March 15, 2018

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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