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The Poe Consequence

A grounded urban tale that’s enhanced but not dominated by touches of otherworldliness.

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Members of two rival LA gangs fall victim to mysterious heart attacks—all at the exact same time of day—in first-time novelist Steinbaum’s supernatural thriller.

Warren Palmer was an innocent bystander in the war between the Alvarado Street Diablos and the North Rampart Lobos, killed in a drive-by shooting while protecting his 11-year-old son, Seth. Then members from both gangs start croaking from apparent heart failure. Cops are baffled when they eventually spot a pattern: any gangster who’s committed murder is dead the next day at 4 a.m. sharp, with a heart that’s ice cold. Police convince the gangs to stop their fighting, but Lobo Miguel “King” Ruiz’s vendetta against Diablo Alejandro “Face” Torres may once again put Seth, along with his reporter uncle (and Warren’s twin brother) Kevin, in danger. Steinbaum’s novel certainly doesn’t shy away from supernatural elements; for example, right before their hearts seize, doomed gangsters hear a whispering voice recite lines from Poe’s stories. These scenes are a bit repetitive, since narrative backgrounds for several members start to feel like precursors to their inevitable deaths. But Steinbaum wisely focuses his story on the real-world repercussions of Warren’s murder. Seth, for one, develops animosity for all Mexicans but may have a change of heart once befriended and helped by genial Mexican-American tutor Veronica, who doubles as a love interest for struggling alcoholic Kevin. Similarly, Face is a sympathetic Diablo tormented by the knowledge that one of the men who raped his sister is still running free; he also has the gift of foresight, which ultimately proves beneficial. Things really pick up once Kevin links the manner of death to Poe passages (Warren was an avid fan of the author’s works) and seeks the fortuneteller his brother saw, the one who predicted his demise. Sure, there may be a ghost somewhere in the mix, but Steinbaum tells a story that intelligently and respectfully addresses issues of race and violence.

A grounded urban tale that’s enhanced but not dominated by touches of otherworldliness.

Pub Date: Nov. 28, 2014

ISBN: 978-1-942296-05-8

Page Count: 340

Publisher: LitFire Publishing

Review Posted Online: Oct. 23, 2015

Kirkus Reviews Issue: Nov. 15, 2015

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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