The novel ends on a cliffhanger—all to the good, except it presupposes that the reader will have slogged through to the end...
The president is now not only black but also Jewish, and the tea partiers are having fits.
Well, not quite: Like Sammy Davis Jr., Luke Cooper wasn’t entirely born with those credentials, and the presidential election is still three years off when we meet him. Governor Cooper is one of the youngest state executives in the nation, and, as Goff writes by way of introduction, “widely recognized as a rising national star in the Democratic Party.” His wife Laura—try not to think of General Hospital—hates politics but is willing to support Luke as he follows his bliss, even willing to try to keep up with his sartorial splendor, for Luke knows how to rock an Armani suit. Although he’s been dubbed “the GQ Candidate,” he’s an amateur compared to some of the folks in his moneyed circle, powerful lawyers and hedge-fund managers who broker a dozen deals before breakfast and live lives befitting a Roman emperor. All of these things have political consequences; one of his confidants, for instance, figures in the news from time to time in articles “claiming that he had used his relationship with the governor as leverage for business opportunities,” with said confidant himself proclaiming, “The gov and I are like family. After all he wouldn’t be governor without me so you have nothing to worry about.” It’s anyone’s guess whether the author or the confidant is the one guilty of crimes against the English language, but this novel is flat and uninvolving, its characters shallow; what isn’t transparently borrowed from a certain real-life well-dressed president of color (hey, look, there’s Rahm Emanuel!) drifts by unremarkably. Goff's imagining of an ugly primary campaign in which mud is flung and bedclothes slung could have come from the headlines, too, while the stuff requiring imagination seems an afterthought.
The novel ends on a cliffhanger—all to the good, except it presupposes that the reader will have slogged through to the end of this overlong, unrewarding debut.Pub Date: July 5, 2011
ISBN: 978-1-4391-5872-2
Page Count: 384
Publisher: Atria
Review Posted Online: June 28, 2011
Kirkus Reviews Issue: July 1, 2011
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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