by Kelly L. Simmons ‧ RELEASE DATE: April 23, 2014
Powerful, historically based novel of survival, beliefs, adaptation and resistance.
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An elderly woman reflects on her early years living as a Mormon on the run in author Simmons’ absorbing debut novel, based on a true story.
In 1898 Utah, 10-year-old Mary Higginsen, her nearly blind mother, and her brothers and sisters are taken by their father to Billie’s Mountain to live in a cave to avoid his arrest for polygamy. Mary and her relatives are a second family; Father has another wife to whom he is legally wed. After helping them to settle in, Father returns to town to his first family, leaving elder son Zebedee in charge. Believing the separation from Father to be temporary, the children work nearly constantly, cooking, washing and planting, although their efforts are sometimes for naught. Earnest Zebedee remains thankful for small mercies, but recalcitrant Mary has doubts: “If this was God’s idea of a blessing, it certainly was a sorry one.” In winter, supplies run dangerously low. As weeks pass without Father, Mary is increasingly angered by her family’s blind trust and their predisposition to suffer while Father’s other family presumably lives in comfort. Facing frostbite and starvation, they are rescued by a neighbor, Brother Bigler. He, too, practices plural marriage and is drawn to Mary, who resists his advances. She realizes the significance of polygamy (multiple wives ensure progeny), but Mary has no wish to be submissive or to marry. Although initially a survival tale, recalling some of the sacrifices in Susan Beth Pfeffer’s Life As We Knew It (2008), the novel skillfully addresses the claustrophobic, cultlike burden of belief and how a willful individual like Mary could be coerced to comply. Through no fault of their own, the Higginsens are treated like “beggar children” by one of Brother Bigler’s wives, who will later risk her own status in an act of kindness to Mary. Perhaps Brother’s wives aren’t as happy as they claim. Sensing the incongruity, resourceful Mary both adapts and rebels. In a genre saturated with faux apocalyptic tales of teens in peril, here’s an emotionally wrenching narrative out of U.S. history.
Powerful, historically based novel of survival, beliefs, adaptation and resistance.Pub Date: April 23, 2014
ISBN: 978-0615998572
Page Count: 258
Publisher: Helper Publishing
Review Posted Online: Dec. 10, 2014
Review Program: Kirkus Indie
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by Larry McMurtry ‧ RELEASE DATE: June 1, 1985
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
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by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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