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PIZZA FACE

OR, THE HERO OF SUBURBIA

A comic debut that takes a fast trot through the homosexual coming-of-age of a middle-class North Carolina adolescent: a series of superficial set-pieces mostly, but the novel finally builds when its locale shifts to Washington, D.C. Andy, who ``was always looking for the right candidate,'' fills his loneliness by building a shrine to Jimmy Carter in his bedroom and by calling older men who collect political memorabilia: ``In high school, Andy's goal was to have the biggest Jimmy Carter collection in the whole country.'' Through this obsession, he meets a string of grotesques as well as Preston, who ``models underpants in the `Dads-n-Lads' section of the Sears, Roebuck catalogue.'' As Andy discovers his sexual orientation, he also gets a case of the zits—he ``preferred being called `Pizza Face' to `Monster Face.' '' The story bogs down in some low-rent satire of suburbia and officious types before Andy moves on to Chapel Hill for college and an unrequited crush on roommate Ryan. After participating in a study of a new acne medication (``By the end of the study, Andy's face was coming off'') and meeting Mary Alice (which results in a tepid affair while he fantasizes about Ryan), Andy gets involved in political reporting and nabs a job as an intern in Washington, D.C. His introduction to high-rolling political types, overtly gay young men, and cocaine results (the book's liveliest section) in a bland, unsatisfying affair with manipulative Ryan—Andy finally rejects him by knocking him unconscious—and in an older-but-wiser understanding of the world. Siman is so intent on getting every adolescent humiliation recorded that the final effect is blurry and, in places, sophomoric. Still, the voice is quirky and original, making him a writer to watch.

Pub Date: June 1, 1991

ISBN: 0-8021-1398-2

Page Count: 192

Publisher: Grove

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 1991

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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