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SEEKING SALAMANCA MITCHELL

Written in loose, loping prose, a story that’s entertaining enough, though in the end rather quietly routine.

A jazzy, fluent rendering of the life of an aspiring musician and composer who finds himself jailed for seven years just as his great love gives birth to their child.

Jasper’s third (after Dakota Grand, 2002, etc.) opens with Benjamin Baker, a young, bright African-American boy on the streets of DC, taking a job with Alfonse Mitchell, the successful owner of a neighborhood restaurant. Mitchell, seeing promise in the diligent Baker, invites him to assist in some shady late-night robberies—crimes that help support Mitchell’s enviably lavish lifestyle. Baker, who has become one of Mitchell’s most trusted lookouts during the residential robberies, finds himself entranced by Salamanca, Mitchell’s daughter. (As is Jasper’s writerly habit, there are no average women in his work: they are either pear-shaped, wise older women, or nodes of erotic desire, sweet young things with bustout bosoms and bottoms). Plunged into a deep love that thrums to the beat of Baker’s lively musical compositions, the couple begins to plan a future every bit as bright as their present circumstances foretell. But Baker is set up, takes the fall for Mitchell, and goes to jail shortly after Salamanca confides in him that she’s pregnant. Baker keeps his sanity while he’s inside by remembering Salamanca’s love and thinking about seeing her again—while Salamanca herself goes into hiding from her father, the man who took her lover down. After his release, Baker is tempted to rejoin his musician friends but stays true to his only meaningful goal: to find Salamanca and start things over. Yet the itch for revenge on Mitchell is strong, and though the old man eventually gets his due, Baker narrowly escapes disaster.

Written in loose, loping prose, a story that’s entertaining enough, though in the end rather quietly routine.

Pub Date: July 13, 2004

ISBN: 0-7679-1675-1

Page Count: 368

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 2004

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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