Offering a well-rounded look at his successful life, Leon’s memoir is self-reflective and encouraging to those who might...
A Tony Award–winning director pays loving tribute to his grandmother as he covers the broad scope of his life.
Leon’s Grandma Mamie had a hard life. She raised 13 children and then took in Leon when he was 4 and kept him for four years while his mother found her own way in the world. Prayer and the belief that her children and grandchildren could have a better life than she had had kept Mamie going, and she pushed Leon to always do his best. “[She] put in those endless days of work and effort,” writes the author, “and her kids never missed a meal. She led that life, that hard, country life, without the comfort of a partnership and some love coming back.” Leon’s love and devotion to his grandmother are evident throughout the narrative of his childhood and his rise through the ranks as an actor and director. The author discusses her cooking, her clothing and colorful hats, the way she talked, and how she almost always had visitors and was happy to throw together a meal for them. He shares his personal doubts and fears as he worked first as an actor and then as a director in the Alliance Theater in Atlanta. He also writes about his relationships with women, his professional working relationship with the playwright August Wilson, his endeavors to bring more diversity to the stage, and the founding of his own theater company, Kenny Leon’s True Colors Theatre Company. The author, who won a Tony for his direction of A Raisin in the Sun in 2014, shows how the supportive words and actions of his closest family members instilled in him a strong confidence in his ability to dream big and overcome the obstacles in his path.
Offering a well-rounded look at his successful life, Leon’s memoir is self-reflective and encouraging to those who might harbor self-doubts about their own abilities and pursuits.Pub Date: June 5, 2018
ISBN: 978-1-5387-4497-0
Page Count: 240
Publisher: Grand Central Publishing
Review Posted Online: April 2, 2018
Kirkus Reviews Issue: April 15, 2018
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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