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ACROSS THE RIVER

LIFE, DEATH, AND FOOTBALL IN AN AMERICAN CITY

A penetrating, wide-screen story of what it means to mentor under the toughest of circumstances.

A sociologically oriented look at a high school football season in a poor section of New Orleans.

Washington Post reporter Babb isn’t interested in delivering a play-by-play analysis of Edna Karr High School’s 2019 season. More significantly, he offers well-rounded portraits of the personalities involved with the team: the coaches, players, fans, and the city as a whole. The primary character is head coach Brice Brown, who displays a sharp football mind and exudes grace and generosity, creatively treating his players as distinct individuals who respond to varying treatment. If needed, he will provide for his players: clothes, shelter, food, transportation, life advice, etc. He also conducts uncomfortable discussions, creating “challenging, often uncomfortable, social scenarios that fluster kids by design. These are meant as psychological stress tests.” Most players live in poverty-riddled, dangerous neighborhoods, so Brown is constantly looking out for their well-being. Babb explains the psychogeography of New Orleans and especially how Hurricane Katerina impacted the students’ sense of place and their insecurities. He also investigates the burgeoning gentrification of the city, an ongoing process with dire consequences. “Displaced residents aren’t just physically uprooted from their homes, neighborhood, and comfort zones,” writes the author. “They often carry harsh emotional burdens that, in particular for children, can lead to higher risk of anxiety and depression.” At the same time, Babb wrestles with an existential element that attends the sport of football in most marginalized communities: the physical dangers of the game versus the opportunity to rise out of poverty—not just via college scholarships or (rarely) being drafted in the NFL, but by providing a transformative atmosphere that fosters independence, self-worth, and discipline. The author also probes the New Orleans police department through the lens of investigations into the shootings of players and the impact that violence has on all members of the community.

A penetrating, wide-screen story of what it means to mentor under the toughest of circumstances.

Pub Date: Aug. 10, 2021

ISBN: 978-0-06-295059-8

Page Count: 304

Publisher: HarperOne

Review Posted Online: June 18, 2021

Kirkus Reviews Issue: July 15, 2021

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I KNOW WHY THE CAGED BIRD SINGS

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."

Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Pub Date: Feb. 1, 1969

ISBN: 0375507892

Page Count: 235

Publisher: Random House

Review Posted Online: May 14, 2012

Kirkus Reviews Issue: Feb. 1, 1969

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A TALE OF LOVE AND DARKNESS

A boon for admirers of Oz’s work and contemporary Israeli literature in general.

A moving, emotionally charged memoir of the renowned author’s youth in a newly created Israel.

“Almost everyone in Jerusalem in those days,” writes novelist Oz (The Same Sea, 2001, etc.) of the 1940s, “was either a poet or a writer or a researcher or a thinker or a scholar or a world reformer.” Oz’s uncle Joseph Klausner, for instance, kept a 25,000-volume library in every conceivable language, its dusty volumes providing a madeleine for the young writer, “the smell of a silent, secluded life devoted to scholarship,” even as his grandmother contemplated the dusty air of the Levant and concluded that the region was full of germs, whence “a thick cloud of disinfecting spirit, soaps, creams, sprays, baits, insecticides, and powder always hung in the air.” His own father had to sell his beloved books in order to buy food when money was short, though he often returned with more books. (“My mother forgave him, and so did I, because I hardly ever felt like eating anything except sweetcorn and icecream.”) Out in the street, Oz meets a young Palestinian woman who is determined to write great poems in French and English; cats bear such names as Schopenhauer and Chopin; the walls of the city ring with music and learned debate. But then there is the dark side: the war of 1948, with its Arab Legion snipers and stray shells, its heaps of dead new emigrants fresh from the Holocaust. “In Nehemiah Street,” writes Oz, “once there was a bookbinder who had a nervous breakdown, and he went out on his balcony and screamed, Jews, help, hurry, soon they’ll burn us all.” In this heady, dangerous atmosphere, torn by sectarian politics and the constant threat of terror, Oz comes of age, blossoming as a man of letters even as the bookish people of his youth begin to disappear one by one.

A boon for admirers of Oz’s work and contemporary Israeli literature in general.

Pub Date: Nov. 15, 2004

ISBN: 0-15-100878-7

Page Count: 544

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2004

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