Melancholy truths set to gorgeous melody.
Haruf sings the second verse of his moving hymn to life on America’s great plains.
Eventide is a sequel to the 1999 Plainsong, Haruf’s wonderfully straight-talking debut novel about life and work in and around Holt, Colorado, a withering town long miles from Denver and light-years from the coasts. Some of the characters from that first story return in major and minor roles. Harold and Raymond McPheron, a pair of aging bachelor brothers who work the ranch on which they were born, take center stage, and the Guthries, schoolteacher Tom and his motherless boys, move to the wings. Victoria Roubideaux, the young high-school girl who moved in with the McPherons to escape her mother and find refuge during her pregnancy is moving off to Fort Collins with her daughter to go to college. The ranchers, who dearly love her and her daughter, will be bereft in their absence but they have made the move possible. They resume their hard, lonely work, setting great store by Victoria’s weekly phone calls. In town, three small families are finding their own hard lives harder. Welfare recipients Betty and Luther Wallace, a couple who should probably be in a group home, are unable to protect their two children either from schoolyard cruelty or from Betty’s sadistic prison-bound uncle Hoyt. Mary Wells and her two daughters are living on money sent from Mary’s husband in Alaska, but the marriage is broken and Mary will lose her pride and her domestic order. Down the street, ten-year-old DJ Kephart has sole care of his grandfather, a retired railroad man close to the end of a tough life. DJ’s sole comfort is his friendship with Dena Wells, Mary’s elder daughter. When a bad-tempered bull kills Harold McPherson, Raymond is nearly numb, leaving him vulnerable to—of all things—romance.
Melancholy truths set to gorgeous melody.Pub Date: May 9, 2004
ISBN: 0-375-41158-5
Page Count: 320
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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