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NIP THE BUDS, SHOOT THE KIDS

More shaded, more graphic, and angrier than Lord of the Flies, but the fierce anger is transmuted by Oe's art into literary...

First American publication of 1994 Nobelist Oe's 1958 debut novel: a fiercely intense, unsparingly realistic chronicle of the cruelties visited on the deviant and the different.

Unlike most Japanese writers, Oe (The Silent Cry, 1975, etc.) prefers the direct to the oblique, truth to euphemism, and the intellectual to the mystic. Set in rural Japan, an area almost mythic in its isolation and timelessness, the story concerns a group of juvenile delinquents being evacuated en masse from a reformatory due to wartime air raids. Harried from village to village by hostile peasants who mistreat and starve them, the boys finally arrive in a rain-sodden mountain hamlet. Here, they must dig a grave and then bury a mound of plague-ridden animal corpses. Overnight, one of the youngest boys dies from the plague, and next morning all awake to find the village abandoned except for a girl and a dead woman; the inhabitants, fearing the plague, have blocked all exits and fled. For a while, time "went really slowly and simply wouldn't pass." Then the adolescent narrator, his tenderhearted young brother, and their tough comrade Minami break into the houses for food; they meet an abandoned Korean boy and a deserting soldier who's been hiding in the forest; and the narrator has a brief love affair with the nameless girl left behind in the villagers' flight. But she sickens and dies; his brother runs away; the residents return to kill the deserter and punish the boys; and the narrator—``only a child, tired, insanely angry, tearful, shivering with cold and hunger''—runs off into the forest.

More shaded, more graphic, and angrier than Lord of the Flies, but the fierce anger is transmuted by Oe's art into literary gold- -an anguished plea for tolerance more wrenching than any rant could ever be. (First serial to Grand Street; author tour)

Pub Date: May 1, 1995

ISBN: 0-7145-2997-4

Page Count: 189

Publisher: Marion Boyars

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 1995

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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