Swedish writer Ekman, author of 17 novels, debuts in English with this prizewinning thriller: a literary crime story for readers who thought Peter Heg's Smilla's Sense of Snow was too upbeat. Arriving at the Swedish commune Starhill to join her lover Dan Ulander, Annie Raft stumbles on two corpses lying in a tent and sees a boy running from the scene. Eighteen years later, she and her daughter, Mia, see the boy, now grown to manhood. Before Annie can tell the authorities that she's recognized their only lead in the unsolved case, Mia is killed. But alert readers will long since have surmised that the boy she saw was Johan Brandberg, who fled his miserable family after escaping from the well his resentful stepbrothers had lowered him into. Taking with him an eel he rescued from the well, Johan had hitchhiked with an older woman calling herself Ylja across the border to Norway, where the woman briskly relieved him of his virginity, established him as the latest incarnation of the mystical Traveler who was prophesied to arrive with a live animal, and finally drove him away. The frenzy of isolation to which Ylja pushes Johan is mirrored by Annie's own alienation back in Starhill, where the hatred of Swedes for Lapps and commune members for the bourgeois who surround them—not to mention the rivalries within the commune—finally reaches toxic proportions. In an Arctic landscape whose grim determinism recalls Hardy, commune families grow, harden into deformity, or split up with chill fatalism, and readers impatient with Ekman's brooding vignettes of calcifying loneliness are likely to feel like polar explorers trudging along under heavy loads in the worst weather, hoping to find, in the aftermath of Johan's return, the key that will redeem their ordeal in a burst of wild insight. Not for the impatient or fainthearted: a dour study of murder as the logical outgrowth of simmering, all-consuming rage.
Pub Date: Feb. 1, 1996
ISBN: 0-385-48178-0
Page Count: 448
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 1995
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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