by Kes Gray & illustrated by Nick Sharratt ‧ RELEASE DATE: Sept. 1, 2000
A child’s staunch refusal to eat her peas and her mother’s elaborate enticement is the basis for this zany but telling tale. Readers will instantly recognize the scenario: Daisy sits at the table facing down “the little green balls that were ganging up on her plate” while her frazzled mother attempts to get her to eat. A seemingly harmless proposition of ice cream as a reward begins an avalanche of absurdity as Daisy’s desperate mother soon offers all kinds of outrageous treats. “If you eat your peas, you can have 48 dishes of ice cream, stay up past midnight, you never have to wash again, I’ll buy you two new bikes, and a baby elephant.” However, “I don’t like peas,” remains Daisy’s steadfast reply. The predicament is resolved as Daisy slyly negotiates that she will eat her peas if her mom eats her own untouched Brussels sprouts—at which point they agree to eat some ice cream instead. Sharratt’s (The Time It Took Tom, 2000, etc.) colorful, computer-aided illustrations humorously underscore the hilarity of the situation. Each time Daisy’s mom offers a bribe, a picture of the item appears next to the text; consequently, as she offers more and more bribes, her image shrinks accordingly to accommodate the pictures and text. Conversely, the image of Daisy looms larger as she gains more control. Parents and caregivers may inwardly cringe, but preschoolers will love the increasingly exorbitant bribes Daisy’s mom proffers. While this may not convert any readers into avid pea fans, the underlying message that everyone has individual tastes should help to diffuse dinnertime tensions. (Picture book. 3-6)
Pub Date: Sept. 1, 2000
ISBN: 0-7894-2667-6
Page Count: 32
Publisher: DK Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2000
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by Sam McBratney ; illustrated by Anita Jeram ‧ RELEASE DATE: Sept. 13, 2011
The book is available in just about every format--but this is the perfect one.
It's hard to believe that a pop-up wasn't the creators' original intention, so seamlessly do moveable parts dovetail into this modern classic's storyline.
In contrast to the tale's 1998 pop -up version, the figures here move on every page, and with an unusually graceful naturalism to boot. From pulling down Big Nutbrown Hare's ears on the opening spread to make sure he's listening to drowsily turning his head to accept a final good-night kiss in a multi-leveled pull-down tableau at the close, all of Little Nutbrown Hare's hops, stretches and small gestures serve the poetically spare text—as do Big Nutbrown's wider, higher responses to his charge's challenges. As readers turn a flap to read Big Nutbrown's "But I love you this much," his arms extend to demonstrate. The emotional connection between the two hares is clearer than ever in Jeram's peaceful, restrained outdoor scenes, which are slightly larger than those in the trade edition, and the closing scene is made even more intimate by hiding the closing line ("I love you right up to the moon—and back") until an inconspicuous flap is opened up.
The book is available in just about every format--but this is the perfect one. (Pop-up picture book. 3-6)Pub Date: Sept. 13, 2011
ISBN: 978-0-7636-5378-1
Page Count: 16
Publisher: Candlewick
Review Posted Online: Sept. 21, 2020
Kirkus Reviews Issue: Nov. 1, 2011
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IN THE NEWS
by Anna McQuinn & illustrated by Rosalind Beardshaw ‧ RELEASE DATE: July 1, 2010
Lola’s daddy takes her to the library every Saturday, where she finds “excellent books,” and every night her mommy or daddy reads them to her. The next day Lola acts out the story. On Sunday she’s a fairy princess; on Monday she takes her toy animals “on fantastic trips to places like Paris”; on Wednesday she’s a tiger, etc. Each new book and day provides Lola with a variety of tales to play out, with the last one—which is about a wild monster—posing the question, “What will Lola be tomorrow?” The final page shows her in a wolf suit just like Max’s. The library books, the pretending and the incorporation of the days of the week work together as a simple and pleasing premise. Beardshaw’s acrylic illustrations depict the multicultural kids and Lola’s black family with childlike charm, while the title will have librarians, parents and booksellers smiling. Alert: The book will be an invitation for lap kids to follow Lola’s lead—not such a bad thing. (Picture book. 3-5)
Pub Date: July 1, 2010
ISBN: 978-1-58089-258-2
Page Count: 28
Publisher: Charlesbridge
Review Posted Online: June 3, 2010
Kirkus Reviews Issue: June 1, 2010
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by Anna McQuinn ; illustrated by Rosalind Beardshaw
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