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CHINA RICH GIRLFRIEND

Over-the-top and hard to stop. A third installment is promised.

Kwan (Crazy Rich Asians, 2013) returns with an equally good-natured, catty-as-hell sequel to his bestselling roman à clef about China’s new and old money dynasties.

For those not cued in, Kwan’s tone is breakneck and utterly disarming—part Oscar Wilde, part Judith Krantz, part Arthur Frommer—as he reintroduces his jet-setting ensemble of socialites and social climbers. They include: Nick and Rachel (star-crossed Asian-American lovers who are searching for her father while avoiding his meddlesome Singaporean mom); Mrs. Bernard Tai (aka Kitty Pong, former mainland soap-opera star, who must temper her nouveau urges if she hopes to impress members of Hong Kong’s exclusive dining clubs); Astrid Leong (married “beneath” her rank, wears off-the-rack dresses that, on her, pass for designer; her jewelry and class are the real deal, however); plus a circle of spoiled-rich 20-somethings who think they’re re-enacting The Fast and Furious. Whenever a character drops a salty Hokkien, Cantonese, or Mandarin phrase or an unfamiliar reference, Kwan translates in a wry footnote (a device he used to great effect in his previous book). Occasionally the sendups of squillionaire excess fall a little flat: “Look—it’s a koi pond,” gasps Rachel as she absorbs the décor of her Shanghai host’s private jet. “God, you scared me. For a moment I thought something was wrong,” answers her fiance, Nick, who stands to inherit one of China’s great fortunes but prefers teaching undergrads at NYU. “You don’t think anything’s wrong?” Rachel presses. No wonder Nick’s mom, the not-to-be-bested Eleanor Young, tries her utmost to topple their engagement! (Until she stumbles onto the true identity of Rachel’s birth father—and is now using it to reel her son home to face up to his privileged heritage, with unanticipated results.) Most hilarious when he’s parodying uber-rich Chinese aunties who’d “rather camp out six to a room or sleep on the floor than spend money on hotels” and professional image consultants who help clients “take [their] most embarrassing biographical details and turn them into assets,” Kwan keeps more than a few plot resolutions in the air but delivers at least one priceless declaration of love: “The bathroom [renovation] is fully funded….Now please pick out a dress.”

Over-the-top and hard to stop. A third installment is promised.

Pub Date: June 16, 2015

ISBN: 978-0-385-53908-1

Page Count: 400

Publisher: Doubleday

Review Posted Online: May 31, 2015

Kirkus Reviews Issue: June 15, 2015

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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