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TOUGH SH*T

LIFE ADVICE FROM A FAT, LAZY SLOB WHO DID GOOD

Filthier than it needs to be, more self-aggrandizing than it should be, but more inspiring than you’d think it could be.

The slacker raconteur (slackonteur?) chronicles his offbeat career while seeking to inspire the next generation of creative thinkers.

Since bursting onto the indie scene with Clerks in 1994, Smith (My Boring Ass Life: The Uncomfortably Candid Diary of Kevin Smith, 2007, etc.) has carved out a unique niche, writing and directing a string of movies both critically praised (generally for the sharp writing) and panned (often for the lackluster directing), while also developing a cult following as a pop culture lecturer extraordinaire. Drawing on experiences from his eclectic career, he presents a mixed bag of self-deprecating humor, self-satisfied mooning, gossipy snark and a few truly golden nuggets of wisdom. Among the narrative’s high (or low) points are Smith’s contention that directing Bruce Willis was the equivalent of being held hostage by Hans Gruber; the tale of how mentor Harvey Weinstein, whom Smith has loyally defended for years, stiffed him at the opening of Smith’s Red State (the two haven’t spoken since); an in-depth account of Smith’s well-publicized eviction from a Southwest Airlines flight for being overweight; and a graphic description of a bout of self-gratification, which transpired as he stood behind his grudgingly tolerant, naked wife as she readied herself for an evening out. Though his never-ending cavalcade of bodily fluid–filled jokes wears thin, there’s a fascinating revelation within these pages: Despite having produced beloved and influential indie movies and critically acclaimed comics, Smith’s most innovative creation might just be Kevin Smith—a foul-mouthed, blarney-tongued pop culture savant who has built a touring and podcasting empire by mixing piquant loquacity with a heavy dose of Jersey earthiness.

Filthier than it needs to be, more self-aggrandizing than it should be, but more inspiring than you’d think it could be.

Pub Date: March 20, 2012

ISBN: 978-1-592-40689-0

Page Count: 264

Publisher: Gotham Books

Review Posted Online: May 5, 2012

Kirkus Reviews Issue: May 15, 2012

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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