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HERO O'REILLY AND THE PHANTOM HACKER

A hysterical adventure-romance, with a distinctive voice and a strong protagonist, that takes a tumble at the critical...

A help-desk specialist at a bank in Virginia finds love and adventure while solving the mystery of who’s hacking her company’s computer network.

Hero O’Reilly is named after a character in a Shakespeare play, as are her four sisters. She’s resourceful and gutsy, answering each and every help-desk request with a different name and never using the same moniker twice. Humorously self-deprecating, she’s addicted to Peeps (only in supply during major holidays), the music of Michael Feinstein and the word “hinky”—a techie term for the weird. Plus, she’s ballsy enough to put on platform shoes whenever she meets with attractive but creepy VP Ken Churchill. Hero’s neighbor, landlady and BFF is dog-owner Sally, who’s supportive and amusing in her own right. To celebrate her parents’ 30th wedding anniversary, Hero and her sisters meet for a makeover and professional photo shoot. Suddenly, it’s raining men: friend and coworker Mongrel notices Hero as a woman, FBI agent Mark Falcone pursues her with gusto and smitten photographer Alex might not be gay after all. Hero has so much sex she fears the onset of post-coital dementia. But someone’s hacking into the company’s network and Hero is headed for danger. There’s plenty of goods here, not the least of which is a strong voice and a well-defined central character reminiscent of Sandra Bullock in Miss Congeniality—a cute, dark-haired, nut-breasted klutz; but then the ignored neophyte gets a new ’do, sees herself in a different way and captures the attentions and affections of a first-rate FBI guy. The book almost oozes with energy. Numerous misspellings, missing words and punctuation errors detract but the meaning is unimpeded. The back story of Hero’s life, romantic interludes and interaction with associates and family—including her devoted parents who lovingly speak Gaelic—holds together well, before taking a slightly silly turn into the overdone procedural of bringing a criminal mastermind to justice. Again like Miss Congeniality, the far-fetched hacker plot doesn’t make a lot of sense, functioning primarily as a device on which to hang the romance–rescue. The last third of the book is an above average mystery–rom-com, which is more than enough for many a reader.

A hysterical adventure-romance, with a distinctive voice and a strong protagonist, that takes a tumble at the critical moment.

Pub Date: Nov. 20, 2011

ISBN: 978-1432780999

Page Count: 512

Publisher: Outskirts

Review Posted Online: March 2, 2012

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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