Movingly balances emotional realism with a tactile eye for details.
An Iranian American boy comes of age in 1990s Los Angeles.
Khabushani’s novel follows several years in the life of narrator K, who is 9 when the book opens in Los Angeles in the early 1990s. He’s the youngest of three brothers: “I’m getting closer to Justin’s ten and to Shawn’s twelve.” It’s the boys’ father who proves to be the most disruptive element in their lives: He gambles and has a tendency to turn violent when one of his children misbehaves. Khabushani creates a memorably lived-in world here, from K’s desire to win a spelling bee so as not to have to wear hand-me-down shirts to references to K’s relatives living in Iran. The boys’ father is haunted by regrets of his own, including a now-deceased college friend. Unfortunately, he’s channeled those regrets into resentment—“Baba turns to me before starting the ignition and tells me he should have never allowed [Maman] to enroll in school, that he should have never brought her to this country”—and unsettling treatment of his children. When he takes the children to Iran one summer, things come to a head in an especially harrowing scene of abuse. The boys return to Los Angeles while their father does not, and the novel’s second half follows them forward in time as K explores his own sexuality and the family struggles with Islamophobia in the wake of the 9/11 attacks, which prompt one of K’s brothers to enlist. Khabushani’s novel ends on an elliptical note, and at times this feels like the prologue to a much longer work. But it also features its own compelling momentum.
Movingly balances emotional realism with a tactile eye for details.Pub Date: Aug. 1, 2023
ISBN: 9780593243305
Page Count: 240
Publisher: Hogarth
Review Posted Online: June 8, 2023
Kirkus Reviews Issue: July 1, 2023
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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