This tale’s well-drawn characters move like clockwork through a series of wild, suspenseful plot twists in a danse macabre...
Left for dead in the Sahara Desert beside two corpses, Matthias Callaghan—with no money, ID, or meds—finagles his way to his doctor in Switzerland and then to London.
In this sixth installment of his series, Ekemar (The Callaghan Tetralogy, 2018, etc.) continues to breathe excitement into his face-changing, vengeance-filled, Jekyll and Hyde premise. As soon as the unflappable Callaghan reaches London, where he is wanted for jumping bail on a murder charge, he starts juggling the pieces of his fragmented life in his classic, inimitable style. His intricate personal history includes mutilation by Russian gangsters and two face transplants. Now the machinations of the FBI, the Russian mob, and a crooked cop add complications, which Callaghan is not yet aware of. He just happens to still have the keys to his old flat, which is currently owned by head Russian mobster Vasily Ivanovich. Callaghan breaks in, finds photographs of his own supposedly dead body in the desert, and snaps pictures of stolen artwork. By turning it all over to the police, he essentially cripples the mob and buys himself a measure of credibility with the authorities, not to mention incurring the psychopathic wrath of Ivanovich, who is now set on revenge at any cost. This is one of the few negatives of Ekemar’s series. Not only do some major plot twists (like the flat and the keys) turn on coincidences, but there are also less important but no less extreme flukes such as the oddly entwined histories of Callaghan’s wife and ex-wife. Such flaws, however, are easily overlooked amid all the solid prose, action, plot turns, and conniving among the fully developed protagonists and antagonists alike. Callaghan haggles for an early hearing in his murder case using a picture of the mysterious Ivanovich as a bargaining chip. As in previous installments, the author nicely sets up his readers for the next episode with a grand finale, leaving various threads hanging.
This tale’s well-drawn characters move like clockwork through a series of wild, suspenseful plot twists in a danse macabre of greed, murder, and revenge.Pub Date: May 5, 2018
ISBN: 978-1-71739-728-7
Page Count: 232
Publisher: Bradley & Brougham Publshing House
Review Posted Online: Aug. 2, 2018
Review Program: Kirkus Indie
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
Despite getting a little preachy toward the end, Leary has largely achieved a genuinely funny novel about alcoholism.
A supposedly recovering alcoholic real estate agent tells her not-exactly-trustworthy version of life in her small New England town in this tragicomic novel by Leary (Outtakes from a Marriage, 2008, etc.).
Sixty-year-old Hildy Good, a divorced realtor who has lived all her life in Wendover on the Massachusetts North Shore, proudly points to having an ancestor burned at the stake at the Salem witch trials. In fact, her party trick is to do psychic readings using subtle suggestions and observational skills honed by selling homes. At first, the novel seems to center on Hildy’s insights about her Wendover neighbors, particularly her recent client Rebecca McAllister, a high-strung young woman who has moved into a local mansion with her businessman husband and two adopted sons. Hildy witnesses Rebecca having trouble fitting in with other mothers, visiting the local psychiatrist Peter Newbold, who rents an office above Hildy’s, and winning a local horse show on her expensive new mount. Hildy is acerbically funny and insightful about her neighbors; many, like her, are from old families whose wealth has evaporated. She becomes Rebecca’s confidante about the affair Rebecca is having with Peter, whom Hildy helped baby-sit when he was a lonely child. She helps another family who needs to sell their house to afford schooling for their special needs child. She begins an affair with local handyman Frankie Getchell, with whom she had a torrid romance as a teenager. But Hildy, who has recently spent a stint in rehab and joined AA after an intervention by her grown daughters, is not quite the jolly eccentric she appears. There are those glasses of wine she drinks alone at night, those morning headaches and memory lapses that are increasing in frequency. As both Rebecca’s and Hildy’s lives spin out of control, the tone darkens until it approaches tragedy. Throughout, Hildy is original, irresistibly likable and thoroughly untrustworthy.
Despite getting a little preachy toward the end, Leary has largely achieved a genuinely funny novel about alcoholism.Pub Date: Jan. 15, 2013
ISBN: 978-1-250-01554-9
Page Count: 304
Publisher: St. Martin's
Review Posted Online: Oct. 14, 2012
Kirkus Reviews Issue: Nov. 1, 2012
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
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