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PERFUNCTORY AFFECTION

Neither psychologically plausible nor suspenseful.

Urban fantasy (The Turn, 2017) and science-fiction thriller (The Operator, 2016) author Harrison steps into decidedly murkier territory with this gothic-tinged short novel.

In the three years since her mother’s death and a subsequent car accident that gravely wounded her boyfriend, Austin, gifted artist Meg Seton finds that grief, depression, anxiety, and rock-bottom self-esteem have made it nearly impossible for her to conduct the routines of daily life without being thrown into a tailspin. Then Meg’s psychiatrist, Dr. Jillium, puts her on a new medication that gives her the confidence to make instant friends with Haley and Rorry, an elegant but friendly couple who are new in town. Are they simply nice people who are interested in Meg, or are they faeries who want to steal Meg away and exploit her art? And why does Austin seem so threatened by them? A plot in which someone is either hallucinating or experiencing a supernatural event, or both, is a classic and tired trope, expressed more effectively in such works as Russell H. Greenan’s It Happened in Boston?, L. Ron Hubbard’s Fear, and Richard Matheson’s Somewhere in Time. It works best if the writer either descends into outright psychedelic imagery or constructs a consistently mundane world that interlocks with the visions. Harrison tries the latter ploy, but it’s riddled with holes. Meg is an incredibly talented painter, but she demonstrates none of the focus or pedagogy needed to teach a class three times a week. Apparently she’s being cared for by a single psychiatrist who puts her on a course of an experimental psychotropic drug with dangerous side effects that have already severely affected a previous patient—and there’s no significant monitoring, oversight by other doctors, rigorous testing protocol, or even a release to sign. There are no relatives or other friends (except for Austin, sort of) to object to this situation, not even a lawyer, which you’d expect a wealthy woman with issues to have.

Neither psychologically plausible nor suspenseful.

Pub Date: March 31, 2019

ISBN: 978-1-59606-896-4

Page Count: 304

Publisher: Subterranean Press

Review Posted Online: Jan. 20, 2019

Kirkus Reviews Issue: Feb. 1, 2019

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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