Riotously inventive horror fantasy, the second novel by the author of the wildly original The Night Mayor (1990). Newman trumps up some superbly clever devices here, and at last creates a heroine we can care about, or almost care about, before she fades into the Dreamscape. The American sisters Anne and Judi Neilson and their half-brother Cameron Neilson III (a famous minimalist composer), children of Nobel Prize playwright Cameron Neilson, live in London, where Anne writes and Judi, a junkie S&M prostitute, hires herself out to be beaten. In the first chapter, Judi is eaten alive while turning a trick, or has the blood and most of her flesh sucked out of her, as well as her mind and memory, by Mr. Skinner, a vampire known as the King of the Cats, or leader of the Kind, who was once a master of the now-vanished Immortal Empire. Very few vampires still walk about, and Mr. Skinner himself has only one rival, Ariadne, a sexy vamp much older, smarter, and more powerful than he. Anne tries to trace Judi's path through the whoreworld to find out just how her sister's corpse had aged into a very old woman's. Judi's prostitute friend Nina leads Anne to the mansion of Amelia Dorf (``It was the kind of quietly well-off residential street where mass murderers live...''—a kind of Karloffian understatement) where an S&M party is in full swing, ruled by the Game Master, Mr. Skinner. We'll say no more, only that Mr. Skinner's vampirism is a boldly invented passionate state that can barely be contained by human form; that the Old Dark House becomes a dream house in which rooms lead into mindrooms into dreamrooms; that at one point Mr. Skinner falls into a feeding frenzy and eats up the whole party, then licks his lizard-long tongue at Anne and begins chasing her through the walls.... When you meet Mr. Skinner, remember that he bears the memories of all his victims, and that when you join him you join all of them as well. Comforting.
Pub Date: Nov. 14, 1991
ISBN: 0-88184-781-X
Page Count: 288
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 1991
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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