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BAD DREAMS

Riotously inventive horror fantasy, the second novel by the author of the wildly original The Night Mayor (1990). Newman trumps up some superbly clever devices here, and at last creates a heroine we can care about, or almost care about, before she fades into the Dreamscape. The American sisters Anne and Judi Neilson and their half-brother Cameron Neilson III (a famous minimalist composer), children of Nobel Prize playwright Cameron Neilson, live in London, where Anne writes and Judi, a junkie S&M prostitute, hires herself out to be beaten. In the first chapter, Judi is eaten alive while turning a trick, or has the blood and most of her flesh sucked out of her, as well as her mind and memory, by Mr. Skinner, a vampire known as the King of the Cats, or leader of the Kind, who was once a master of the now-vanished Immortal Empire. Very few vampires still walk about, and Mr. Skinner himself has only one rival, Ariadne, a sexy vamp much older, smarter, and more powerful than he. Anne tries to trace Judi's path through the whoreworld to find out just how her sister's corpse had aged into a very old woman's. Judi's prostitute friend Nina leads Anne to the mansion of Amelia Dorf (``It was the kind of quietly well-off residential street where mass murderers live...''—a kind of Karloffian understatement) where an S&M party is in full swing, ruled by the Game Master, Mr. Skinner. We'll say no more, only that Mr. Skinner's vampirism is a boldly invented passionate state that can barely be contained by human form; that the Old Dark House becomes a dream house in which rooms lead into mindrooms into dreamrooms; that at one point Mr. Skinner falls into a feeding frenzy and eats up the whole party, then licks his lizard-long tongue at Anne and begins chasing her through the walls.... When you meet Mr. Skinner, remember that he bears the memories of all his victims, and that when you join him you join all of them as well. Comforting.

Pub Date: Nov. 14, 1991

ISBN: 0-88184-781-X

Page Count: 288

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 1991

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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