Newman's fifth horror/thriller lives up to both the best and the worst of his earlier novels. Like Anno-Dracula (1993), The Quorum is a modern vampire myth, complete with a dark overlord (Derek Leech)—a combination of Swamp-thing, Aphrodite (he emerges complete from the mucky, polluted Thames), and Pinocchio (his goal is to fulfill his function as catalyst for betrayal and thus earn his right to be human, which is manifested at the end of the novel when he finally achieves a sense of smell). Unlike the bloodfest in Anno-Dracula, the horror in this book is psychological. Leech proposes a Mephistophelian deal to three young men (Mark, Mickey, and Michael, who make up the Quorum): If they spend the first six weeks of every year systematically torturing their friend Neil, they will be rewarded for his suffering with fame and fortune. For 15 years everyone sticks by The Deal (although Mark, more of a Faustus than the others, does try to withdraw at one point). Leech becomes a media magnate, Michael a TV celebrity, Mickey a rock star, Mark a comic-strip creator. The book moves back and forth in time, showing us how the Quorum ruins Neil's pitiful life. We see the present through the eyes of Sally Rhodes, a single mother (she calls her child ``The Invader'') and small-time private eye. Sally is a new breed of female detective: in love with the process of digging for information, capable of calculatingly seizing an opportunity but also of excessive righteous indignation. She is as interesting as Leech and, like him, woefully underused and underdeveloped. The low stakes are the undoing of this story, and most of the Quorum's schemes for torturing Neil are turgid and banal. For amateur theologians and a few flagellants, the ruminations on the true nature of sacrifice might be of interest; for everyone else, a yawn.

Pub Date: Oct. 14, 1994

ISBN: 0-7867-0132-3

Page Count: 312

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Aug. 15, 1994

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An enjoyable, cozy novel that touches on tough topics.


A group of strangers who live near each other in London become fast friends after writing their deepest secrets in a shared notebook.

Julian Jessop, a septuagenarian artist, is bone-crushingly lonely when he starts “The Authenticity Project”—as he titles a slim green notebook—and begins its first handwritten entry questioning how well people know each other in his tiny corner of London. After 15 years on his own mourning the loss of his beloved wife, he begins the project with the aim that whoever finds the little volume when he leaves it in a cafe will share their true self with their own entry and then pass the volume on to a stranger. The second person to share their inner selves in the notebook’s pages is Monica, 37, owner of a failing cafe and a former corporate lawyer who desperately wants to have a baby. From there the story unfolds, as the volume travels to Thailand and back to London, seemingly destined to fall only into the hands of people—an alcoholic drug addict, an Australian tourist, a social media influencer/new mother, etc.—who already live clustered together geographically. This is a glossy tale where difficulties and addictions appear and are overcome, where lies are told and then forgiven, where love is sought and found, and where truths, once spoken, can set you free. Secondary characters, including an interracial gay couple, appear with their own nuanced parts in the story. The message is strong, urging readers to get off their smartphones and social media and live in the real, authentic world—no chain stores or brands allowed here—making friends and forming a real-life community and support network. And is that really a bad thing?

An enjoyable, cozy novel that touches on tough topics.

Pub Date: Feb. 4, 2020

ISBN: 978-1-9848-7861-8

Page Count: 368

Publisher: Pamela Dorman/Viking

Review Posted Online: Oct. 27, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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A strict report, worthy of sympathy.


A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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